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Be nice, Be kind to you

6/30/2019

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"Be Nice to You" (elephant number 2)
​"Be Nice to You" (elephant number 2) - acrylic on panel, 8" x 8".  Ready to hang.  Available at The Salty Teacup.

"Be Kind to You" (goat) - acrylic on panel, 8" x 8".  Ready to hang.  Available at The Salty Teacup.

An unexpected hiatus last week kept me out of the studio and away from the paints.  But sometimes these things are big ol' blessing bombs, as I feel rejuvenated and filled with new ideas again.  One is already in progress, but in the meantime these two upbeat beasties are heading off to the Salty Teacup today.  Fresh off the easel and ready to replace their missing brethren who found new homes over the weekend.  

These blog posts often appear like dandelions on my laptop - emerging without effort and in great numbers.  Not today.  I sit here stumped.  Company arrives tomorrow, and the laundry is piled high.  It nags me like the most unkind of mistresses.  And since pre-company day is no time to throw out the "to do" list, I will leave you with this:


Laundry

textile mistress
trips, tangles, torments
demands
launches odor assaults until
I obey.


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"Be Kind to You" (goat)
The blog is on vacation for the next week while we celebrate family and create more laundry. Happy 4th!
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Gilda and Gabriel Under the Moon

6/25/2019

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Gilda and Gabriel Under the Moon
"Gilda and Gabriel Under the Moon" - acrylic on cradled wood panel, 11" x 14" x 1.5". Ready to hang.  Available here and at Artfinder.

By the light.....of the hot pink moon...

And then there were more witches.  This one, Gilda, cannot seem to get messenger, Gabriel, to vacate his perch and allow her a moment for broom flying under the moon.  If she's a smart witch, she won't shake him off.  She might look and listen and ponder.  It is hard to stop and breathe when messengers appear in the middle of things.  

How many times have I looked back and said "AHA!  There was a message!" after I barged past it to keep up with whatever I had planned for the day? Messages from the universe are rarely conveniently timed.  I'd wager they appear MOSTLY when we are rushing about.  And maybe BECAUSE we are rushing about.  Hmmm.
There is so much busyness and hurrying in the modern world.  Some of it self-imposed, some of it imposed by others.    We begin to think it is normal, expected, beneficial, even. I am the WORST offender on this topic - productivity is balm for my angsty-ness.   

So that's that.  I am tossing out my "to do" list today (EEEEK!  PANIC!) and just going with the flow.  Oh, and perhaps I should set down this broom, too.
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Minerva and Mia Find Balance

6/21/2019

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"Minerva and Mia Find Balance" - acrylic on repurposed wood, 12" x 21" x .75".  Ready to hang.  Available here and at Artfinder.

Here's an exercise for you - take an uneven piece of scrap wood and let the edges dictate the subjects and shapes.

This piece of scrap wood was grabbed from the discard bin in a woodworking facility about two months ago.  Something about the shape intrigued me.  I have stared at this every day since then, and finally decided to give it a go.  It started with an underpainting of gold gesso, and the idea that time and balance have been overarching themes recently, and somehow this piece would be about that.

What I love about Minerva and Mia....even though their very purpose seems to be holding things in place, they do it with acrobatic grace and a cheerful demeanor.  Which I aspire to do one day, instead of being clumsy (I broke a toe last night trying to sit down - don't even ask) and growling about too many responsibilities and stresses.
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Minerva and Mia Find Balance
"It isn't 'resting bitch face' ", I say to my family, "it's MY FACE."   They don't believe me.  But truly I have not mastered (yet) the art of gracefully handling pain (or gracefully sitting down, apparently) and certainly have no chance of winning any game where a poker face is required.   Minerva and Mia have much to teach me.

The summer solstice arrives today - the longest day, the shortest night.  Plenty of time, dear reader, to contemplate all those balls you're juggling and the beams you're holding in place.  And the tick tick tick of father time, reminding us of its finiteness.  Or, we could jump into the mindset of the mouse, observing from a safe place, wondering why humans are so odd and perhaps going back inside the clock for tea and biscuits.  Hmmm.  I say we have tea.
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Dagfinn's Big Day Out

6/17/2019

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"Dagfinn's Big Day Out" - acrylic on cradled wood panel, 11" x 14" x 1.5".  Ready to hang.  Available here and at Artfinder.

Can you tell?

I am back to "Ten Minute Monsters" and whatever wackiness shows up in the sketch book.  This big-bellied ogre was a hoot to paint.  That face!  That hand!  That little bird!  There is  heap load of fun happening here. 

I suppose you could have too much fun.

You could.

But would you?

Would you allow yourself to have so much fun that you'd really, truly classify it as TOO MUCH?  I've tried, let me tell you, and it isn't easy.  Those little nagging responsible thoughts jump right in and let me know it's time to (insert to-do list item here).  And the fun stops.
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Dagfinn's Big Day Out
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Dagfinn sketch
When we were young, fun was the goal. And we didn't ration it, feel guilty about it or apologize for pursuing it.  If your parents were like mine, you were cautioned against excesses of anything, and perhaps led to believe that if everyone had fun all the time, the world would become a boiling cauldron of chaos and dirty dishes.

​But part of me wonders...if everyone had a little more fun, wouldn't the world be a BETTER place?  Dagfinn wants you to think about it today.  He's writing you a prescription to increase your daily fun.  He swears he is a doctor of sorts, so....doctor's orders!  Get out there and make some mayhem.  It will be good for you.
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Avifaunal Emissary

6/14/2019

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  "Avifaunal Emissary" - acrylic on cradled wood panel, 14" x 11" x 1.5".  Ready to hang.  Available here and at Artfinder.

It was winged messenger week here in the studio, where stories of birds, photos of birds and visits from birds have been a constant theme.  My front yard crow friend is enjoying his new bird spa and majestic, columnar perch.  Hummingbirds flitter and tweet without fear as I water the plants.   Feathers upon the path.  

At the same time, I am reading The Dharma of the Princess Bride, a buddhist philosophy book using the famed fairy tale as a teaching tool.  If you've followed this blog for a bit, you know I adore the movie, and could not resist this change to take something so dear to my heart and find a deeper side to it.  And true enough, author Ethan Nichtern makes it happen.

In the chapter called "Mercenaries or Besties", Nichtern asks us this: "Given that most friendships begin by coincidence, how do you choose your friends?" And he goes on to stress that "each time we choose to cultivate a friendship with someone, we are making an important choice."​
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Avifaunal Emissary
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Bird Spa

​Nichtern has me thinking about how many times I have (or have not) actively chosen to cultivate a friendship, rather than just following coincidence and happenstance.  Hmm.

He further explains that a mandala (sacred circle) is an artistic mapping of relationships in our lives, and could sort of be called a depiction of a personal ecosystem. Whoa.  Ecosystems are sensitive both to the elements within them and to outside influences.  Thinking of my sacred circle of friends as an ecosystem gave me a lightbulb moment.  
It isn't easy to be choosy about our sacred circles.  Especially if we grew up in an incubator without healthy boundaries (like I did).  But in The Princess Bride we see that not every friend has good intentions, and Nichtern teaches that not every friendship is a healthy one.   But how do you know?  Here is his answer: "The difference between a healthy and unhealthy relationship is not whether you love each other, it is whether you help each other wake up."  Put that in your thinking cap.  

In the meantime, enjoy this little clip of Vizzini, a notoriously ill-intentioned friend, engaging in a battle of wits.
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Pair, Pride and Quartet

6/10/2019

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Pair, Pride and Quartet
"Pair, Pride and Quartet" - mixed media on gallery wrapped canvas, 24" x 48" x 1.5"  Ready to hang.  Available here and at Artfinder.

My son stood by himself in front of this canvas last week, wondering what the heck was going on. Weirdly fascinated, he kept staring and studying.  I smiled broadly when he told me this - there no greater compliment to an artist creating something peculiar than to have a fascinated observer.

I credit (and blame) artist Mary Pohlmann for this odd and quirky piece.  She introduced me to Bizarre Beautiful magazine, which I promptly subscribed to.  The first issue arrived, and my jaw hit the floor - whoa.  So odd.  So elevated.  So bizarre.  And so beautiful.  

Add to this weird recipe the portfolio growing from the "Ten Minute Monsters" exercise each week with my intern, and you have a formula for other worlds, pure imagination and a sense that Willy Wonka is lurking somewhere in the studio.  (He is! He is!)

My heart found a home in this piece. I want to parachute with nincompoops and leap over mountains with dear-lions. There is magic here, and just over the ridge lies a path strewn with candy corn that will lead us on our next adventure.  Let's grab hands and GO! 
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Patience is a 4-Letter Word

6/6/2019

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Dear Lion
We have this argument in our house constantly.

"Patience is a virtue," he says. "Don't use that p-word in front of me," I reply.  Anytime anyone on t.v. says something about patience, he looks at me and raises an eyebrow.  If I see that eyebrow, I find an appropriate stream of sailor language to use in response.

It isn't that I don't see the value in patience.  Not at all.  It's just that I am not a patient person.  I am a GET IT DONE kind of girl. Of course, the universe must think I need more of the p-word, too, because the last year has been one big  screaming lecture on patience.

The p-word has slopped over the edge of the bucket and into my studio, where painting now happens in increments of less than one hour at a time, and paintings of a certain size (i.e. larger than a cereal box) require an ice pack or two afterwards.  

Which is why you get these little scribbles today, instead of a painting.

"Dear Lion"  and "Nincompoops" are from the Ten Minute Monster exercises Fiona and I do each week.  And these oddballs have made the cut and are joining a rather large, peculiar painting. 
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Nincompoops
​And I would be working on said painting right now instead of writing this, except I already used up my hour for the afternoon.  Sigh (and a bit of foot stomping).  I am pretty sure there is a raised eyebrow going on in the other room. 
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Moth and Moon

6/3/2019

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"Moth and Moon" - mixed media on repurposed plywood.  NFS

This week in the studio there was a bit of meandering and off-road creating.  A piece of plywood, a new moon, moths and a desire to do some visual journaling sent me down the rabbit hole and into symbolism and personal storytelling.

We go through so many phases, seasons and transformations in our humanness.  Some of them are planned (like education and careers) while others are thrust upon us (illness, trauma, tragedy).  Sometimes we make a choice to transform our lives or ourselves or one aspect of one of those.   Those times, the on-purpose change journeys, are both terrifying and liberating.  Like moths, we choose new forms to inhabit and new ways to navigate through the world - sometimes in the moonlight.
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Moth and Moon
Lately I've been excavating my own stories.  Unearthing some gems, but mostly examining the bones of my beliefs and my own mythology.  It is hard work, this digging.  Like the pupa preparing to emerge from the cocoon, I struggle to break free of old patterns and rigid constructs which no longer serve me well.  Sometimes these are deeply imbedded, ancestral patterns.  Other times it is just a fondness for a second cup of coffee. That universe - always with the jokes.

Excavation (for me) is easier when visual aids are used.  This piece allowed me to imagine new paths and patterns, and will  serve as a reminder of the gems I've found along the way.  And it is a powerful image all by itself on the wall.

​Hmmmm, I wonder... is there still time for more coffee? :)
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Picture
Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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