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Doing Nothing is Something

8/31/2020

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​"A Lazy Day is Really Hard Work" and "Doing Nothing is Something",  mixed media on cradled wood, each 8 x 11 x .75.   Ready to hang.  Available here and at Artfinder.


Try to spend a day doing nothing; we call that a lazy day.  Although for many of us who are used to running around from this to that, a lazy day is actually very hard work!  It's not so easy to  just be.  If you can be happy, relaxed and smiling when you're not doing something, you're quite strong.  Doing nothing brings about quality of being, which is very important.  So doing nothing is actually something. Please write that down and display it in your home: Doing nothing is something.

- THICH NHAT HANH, Your True Home


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That crafty universe dropped this passage in  my lap just as I finished having a very lazy day.  Or, I thought​ it was lazy.  But doing nothing is doing something, so maybe I was not lazy after all?  

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A Lazy Day is Really Hard Work
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Doing Nothing is Something

​Doing nothing is necessary, productive work.  It can even be hard work, if you're used to being very busy, or if you feel guilty when you're enjoying a box of bonbons and pajamas and Netflix.

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​I wonder what would happen if we felt guilty for NOT being lazy?  Hmmmmm.  That's going to require a bit of thinking while doing nothing else.  But wait!  Thinking is doing something so....oh my.  Now I've twisted my thoughts into a knot.  

About the art - acrylic over an underpainting of leftover paint.  Gelli-plate printed collage materials and oil pastels on top.  Finished with a background layer of acrylic mixed with gesso.  Liberally sprinkled with love and good mojo.
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Today I Don't Feel Like Doing Anything

8/27/2020

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​Works in process...
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Let's face it - I've become quite fond of the slow pace of a pandemic. Sleeping in. Pajamas all day.  Nowhere to be except in the park with the dog.  Reading on the porch.  Watching crows (clouds, squirrels, cats, flowers in the breeze).  Staying up too late and not worrying about it.  Letting things go at whatever pace they wish.  No hurry EVER.

But now and again a person has to attend to the things that need attending to.  Which might cause a week to get very, very busy.  And regular clothes to be worn, cars to be driven, errands to be run.  As if things were back to "normal."   Which felt amazing for a minute...until I thought HEY NOW, WHERE ARE MY PAJAMAS AND WHY AREN'T THEY ON MY BODY?  
I gave myself a little talking to and decided to take a play day.  Restore the balance!  You can, too.  Bruno Mars says so.  Are you going to argue with Bruno?

About the works in process: take a couple of wood panels and throw all your leftover paint on there.  Scribble some quirky figures with a paint pen.  Start adding color until their personalities begin to shimmer.  Then take a day off and leave your dear readers on the edge of their seats until the next post. :)
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Now Not Serving

8/24/2020

8 Comments

 
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"Now Not Serving" - a triptych.  Each 6" x 6", water-based ink and acrylic paint on aquabord panel.   Available here.
Let negative thoughts come into your head but don’t serve them tea  - comedian Joe List

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I've been getting my "aha" moments in odd places lately.  Likely you have, too, as our lives become weirdly wired to streaming and reading things we might never have known about in ordinary times.  A new friend recommended several comedy videos recently, and I actually found myself jotting things down as I listened.    I suppose comedy, like art, finds its best fodder in hard places - the things we might think, do or say that we probably wouldn't generally share with the world.
This particular quote is a version of something I've heard a time or two...but the idea of not serving tea to the negative thoughts made me chuckle.  I mean, that's what we do, right?  We allow the negative thought in and then offer it enticement to stick around awhile and enjoy itself there, rolling around in our consciousness and eating all the sugar cubes.  We are the perfect host or hostess for the thing that should actually receive a boot in the behind.

So this week, dear reader, let's post a NOW NOT SERVING sign in our minds whenever those pesky thoughts pop their heads up and ask for a cup of  Earl Grey.  

​About the art - pausing from a marathon of portraiture to continue my quest for the fine line between abstraction and realism.  In this case, pursuing seascapes which could nearly-not-be.  The water-based inks are fickle but lovely on their own, and dreamy when mixed with a bit of titan buff acrylic paint.
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Brilliant Emergent I and II

8/20/2020

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"Brilliant Emergent I" and "Brilliant Emergent II", each acrylic on cradled wood panel, 8" x  10" x .75".  Ready to hang.  Available at The Salty Teacup


​“I believe that in the process of locating new avenues of creative thought, we will also arrive at an existential conservatism. It is worth asking repeatedly: Where are our deepest roots? We are, it seems, Old World, catarrhine primates, brilliant emergent animals, defined genetically by our unique origins, blessed by our newfound biological genius, and secure in our homeland if we wish to make it so. What does it all mean? This is what it all means: To the extent that we depend on prosthetic devices to keep ourselves and the biosphere alive, we will render everything fragile. To the extent that we banish the rest of life, we will impoverish our own species for all time. And if we should surrender our genetic nature to machine-aided ratiocination, and our ethics and art and our very meaning to a habit of careless discursion in the name of progress, imagining ourselves godlike and absolved from our ancient heritage, we will become nothing.”
― Edward O. Wilson, Consilience: The Unity of Knowledge
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Brilliant Emergent I
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Brilliant Emergent II
Well that was a long quote!  But if you were able to get through the entirety of it, there is some incredible wisdom in there, from a scientist and writer I adore.

Wilson, a myrmecology expert, has me thinking about the brilliant emergent animals we are as humans in our Old World state.  And also how very out of touch with that we become as we advance technologically.  Here I sit, contemplating these words that I read on a computer and then copied, pasted and saved with technology.  To communicate with you, dear reader, via, ahem, technology.  Oy!

Wilson's words are tinder for the fire that is our need to get out into it - away from these buzzing, beeping, flashing things and into the wild.  Into the swamp, the forest, the fields, the ocean, that lake, that park over there or even your own back yard.  Connected with the primordial feel of wind and sun and rain on skin.  Connected with being...disconnected.  And so avoid becoming nothing.

Get out there today....I'll meet you.  Let's get gloriously disconnected.

​About the art:  let's tell this story in pictures...
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Congratulations to Dotty S. -  Wonder Mike chose you to win Monday's comment give-away!  Look for a little something sweet in your mailbox. :)
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Out-of-the-way Places of the Heart

8/17/2020

10 Comments

 
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Out-of-the-way Places of the Heart
"Out-of-the-way Places of the Heart" - acrylic on repurposed plywood panel, 10" x 10" x .5".  Ready to hang (back has been pre-wired for hanging).   Available here and at Artfinder.

In out-of-the-way places of the heart, 
Where your thoughts never think to wander,
This beginning has been quietly forming,
Waiting until you were ready to emerge.
 - JOHN O'DONOHUE, To Bless the Space Between Us


​I wonder where my thoughts never think to wander?

As soon as I think that, they have wandered there!  Yet there is a comfort in O'Donohue's words, where out-of-the-way places of my  heart are forming new beginnings.  They will be ready when I am.  Like a stealth system within my daily operation, there are things happening within that I am unaware of for now.  Whoa.  
O'Donohue likes to awaken us to timeless truths. As do Mark Nepo, Anne Lamott, Mary Oliver and so many contemporary writers we've come to cherish.  But another way to find timeless truths is through watching Midnight Gospel , where at least one of our cherished writers takes animated form and dispenses wisdom in a psychedelic world.  It took me a minute or two to wrap  my head around the concept of the series, but then I was hooked.  There is so much happening visually in this series that I literally have to take notes to keep up with the words of wisdom the characters are calmly dispensing as they run from zombies and other unsavory situations
 I was late to the Midnight Gospel party, and so would love to know what you thought of it, dear reader!  Leave a comment below - one cosmically favored commenter will receive a sweet treat in the mail from Wonder Mike, who tells me it has been too long since we had a giveaway. :)

About the art:  layers of acrylic paint on wood panel, applied with traditional brushes.  What?  No chopsticks?  No squeegees or paper towels?  Yep.  Just traditional paint and brushes.  But doesn't the wood grain do AMAZING things with the texture?
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I Believe in Miracles

8/13/2020

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"I Believe In Miracles" - oil on gallery wrapped canvas, 10" x 10" x 1.5".  Ready to hang.  Available here.

I am in love with Oregon.  

Head-over-heels giddy with joyful dreaminess.  Nearly, nearly as much as my wild love for Ireland.  Here in Portland, the mountains are in view....I can see them if I walk two blocks away.  The trees are tall, vast, speaking rushing sounds in the wind as the tops blow like giants in an ecstatic sky dance.  And just outside the city lies the gorge - winding, mountainous vistas with deep, cold rivers and a sense of timeless wonder.

In a recent drive up the gorge at dusk chasing a higher vantage point to see sunset, I was awed by the beauty of the forest as it disappeared into the growing darkness.  Murky darks merging together as the ever shrinking light was withdrawing.  The shapes became indistinguishable - silent sentinels of jagged rock and pine.

And so life informs art again.  Thank you, muse.
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I Believe in Miracles

​We're heading into a hot weekend here in the PNW.  So let's get it started with your weekend jam...you sexy thing. :)

​About the art:  an acrylic underpainting in deep purples and greens.  Palette knife and rubber wedge painting with oils and color wax.  Horizontal lines and blurred spaces give a nod to abstraction, instead of a full high-five. 
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Longing for Visible Form

8/10/2020

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"Longing for Visible Form" - oil on deep cradled wood, 14" x 11" x 1.5".  Ready to hang (back has been pre-wired for hanging).  Available here and at Artfinder.

Everything in the world of soul has a deep desire and longing for visible form; this is exactly where the power of the imagination lives.

- JOHN O'DONOHUE, Anam Cara


This week I've been contemplating the physical body and its function as a bridge between inner and outer worlds.  I find myself in the company of a small (but growing) community of people whose bodies are highly sensitive to things - often chemicals, mold,  and allergens but also energy and emotion.   I am surprised by how often we (and by "we" I mean myself, especially) try to override our body's messages.
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Longing for Visible Form
"Your  mind can deceive you and put all kinds of barriers between you and your nature; but your body does not lie.  Your body tells you, if you attend to it, how your life is and whether you are living from your soul or from the labyrinths of your negativity," writes O'Donohue.

It is so easy, when the busyness of life and the barrage of media  heaps things on top of us, to treat the messages of the body as symptoms to be subdued instead of clues to a more significant situation which wants our undivided attention for a minute or two.  This week, I am going to sit in my body (and less in my mind - heavens help me is that even possible?) and see what it has to say.  With any luck, it will also want to paint. 

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​About the art:  This is the final painting inspired by  the Expressive Seascapes course with Pauline Agnew.  In this one, an acrylic painting (left) was turned sideways and used as a compositional structure for a seascape.  Oil over acrylic allows a lovely scraping back and peeking through of some of the under forms and colors, which makes the final piece particularly well-layered and interesting.   You can see the remains of the moon in the lower right of the final painting, as if the sea had swallowed the moon, or as if it were reflected from a position outside of the painting.

All of my completed paintings are now hiding in corners, knowing full well I am looking at them with new eyes and wanting to vandalize them in the near future. :)

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Strangely In-Between and WITHDRAWAL (another Double-Scoop!)

8/6/2020

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Strangely In-Between
"Strangely In-Between" - acrylic on cradled wood panel, 24 x 18 x 1.5.  Ready to hang.  Available here and at Artfinder.

After a couple of weeks with this watery goddess, I am nearly saddened to find her complete.  Her presence in the studio is strong and emotive.  She reminds me of all the words of Mark Nepo, who compares our trials and traumas to the wearing away of stone by water - softening, melting, smoothing until all that's left is what really matters.  

Here is a little peek at her journey:
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"Withdrawal" - oil  on cradled wood panel, 11 x 14 x .75.  Ready to hang.  Available here and at Artfinder.

We stick to the wrong thing quite often, not because it will come to fruition by further effort, but because we cannot let go of the way we have decided to tell the story and we become further enmeshed even by trying to make sense of what entraps us, when what is needed is a simple, clean breaking away. 
- DAVID WHYTE, Consolations


 Whyte has me contemplating inner storytelling and the freedom of changing the story, if only we dare tell it a different way.  Withdrawal, it seems, can open the door to a new story which just might include the right thing. :)
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Withdrawal

​About the art: Strangely In-Between is acrylic over gesso'd wood panel.  Many layers, some thin and some thick. Liberal use of water bottle with sprayer and squeegee.  The hair is "drawn" with a paintbrush taped to a long wooden stick, which facilitates lack of control and a looser stroke. In our family, there is something called the "Baleja Nose" (a strong, ethnic, somewhat bulbous appendage) which I love to put on my female portraits.  This one is clearly no exception. 

Withdrawal is oil over oil.  A painting underneath, meticulously over-controlled and without movement or abstraction.  Painting on top of the controlled piece allows scraping through to expose some under layers, along with a sense of composition to detour from, allowing the abstraction without losing the gist of it.  This technique was so satisfying that I may just purposely paint some controlled pieces just so I can vandalize them later!
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Strangely In-Between (a work in process)

8/3/2020

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"Strangely In-Between" (a work in process)
​acrylic on cradled wood panel


When near the end of day, life has drained
Out of light, and it is too soon
For the mind of night to have darkened things,

No place looks like itself, loss of outline
Makes everything look strangely in-between,
Unsure of what has been, or what might come.


from "For the Interim Time" by John O'Donohue

This is a painting between stages, inspired by the in-between space so many of us are in with the world being a bit topsy-turvy.  This one is slowly coming to life, whispering what she wants to be, forming and re-forming under many layers of paint.  She's  not in any hurry, and so I won't rush her.
The full moon returned this weekend, reminding us of the constancy of certain things.  A little comfort - a celestial anchor.  And also a lovely, heavenly and glowing birthday balloon in the sky!  All the Leos out there might be dancing beneath it.   As I should be, exercising after a week of cake and cake and more cake and adventure and excess and little sleep. 

​One of the little guilty pleasures I had this week was spending an entire evening ogling this book , The Vanities by Terence Lawlor.  Can you say COLLAGE SMORGASBORD?  My eyes are still popping out of my head.  You're going to want one.  And then you will never throw away another piece of paper again. You're welcome.
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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