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Get Under It

9/29/2019

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"Get Under It" - mixed media on cradled wood panel, 20" x 20".  Ready to hang.  Available here and at Artfinder.

I took a break from abstracts to paint a portrait.  Which lead me to scrape the excess portrait paint onto a board.  Which got my eye to seeing a landscape.  Which turned into a full meander into the Columbia Valley River Gorge.  Which became this painting.  Where the muse points, I must go.

Which can sometimes lead to jumping off the deep end.  Especially when the both post office and the department of motor vehicles are involved.  Two government agencies in one big kerfuffle.  Either the problem was getting unraveled or I was.  Ok, sure, you and I both know the muse didn't send me into a tantrum. But I am blaming her anyway. 
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Get Under It
Mark Nepo says "It doesn't matter what splinter the Universe gives us to stop us in our tracks". ​Oh really?  Couldn't MY splinter be something meaningful and elegant in a universal metaphor of brilliance kind of way?  Nope.  I can handle the really big stuff.  But those little splinters....ooooh they get under my skin (and cause bad puns).  Nepo says "...it's no one's place to judge or say that what unhinges us doesn't make sense or that our heartbreak is too much..."  The only thing that matters is that we trip into...what matters.  Or, in my case, fall headfirst while having a tantrum.  "The truth is that we are here precisely to fall off the deep end..." ​(Nepo again).  

Ok, here is where that pesky Universe gets tricky with helping me learn something when I'd rather blow a gasket.  "Our work...is to investigate what these sharp incidents are opening in us."  (Nepo)  Well other than wishing it had opened up a can of whoop-ass specially designed for government bureaucracy, it did help me realize some things about how helpless I felt in certain aspects of my life.  And how that helplessness was really messing with my inner peace.  Nepo calls this getting under it instead of getting over it.  Which is apparently exactly what we humans are supposed to do.

And once more, my very, very dear reader, you've spent a few moments reading my musings and looking at a piece of art.  I hope you get under whatever is harshing your mojo today.  If not, I've got some unused whoop-ass you can borrow. :)
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LADY OF THE LOCH

9/26/2019

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​"Lady of the Loch" - mixed media on gallery wrapped canvas, 16" x 20".  SOLD

​Let's take a departure from abstraction and experimentation this week and make a deep dive into the loch, where dark blue-green falls into the murky void and the cold waters harbor all manner of secrets and mysteries.  

This piece is many weeks in the making.  More layers than I can count.  More mystery than I can unravel.  She is loch and lock and Locke.

I have always thought the actions of men the best interpreters of their thoughts. - John Locke

She is watching and seeing and interpreting.  She seems knowing, but our conversations have been one-sided: me asking her questions, her looking away knowingly.
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Lady of the Loch
Though she is wearing away, she appears solid.  I wondered what that meant.  And then, well, not Nepo, but someone Nepo quoted (see how tangled this web is?):

With each passing (and passage), there is a further wearing away of the layers or coverings that obscure our essential selves.  And so, as we say "goodbye" again and again, we feel thinner, narrower, more naked, more transparent, more vulnerable in a palpable, holy way" - ELESA COMMERSE  (as quoted in Mark Nepo's Things That Join the Sea and Sky)

Just like that, I can see glimpses of her essential self revealed under the waters of the loch.  Not quite unlocked, but less obscured.   And so are we, dear reader, with passing and passage, more vulnerable in holy ways.  
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The Brush Off

9/22/2019

8 Comments

 
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The Brush Off
"The Brush Off" - mixed media on 300 lb watercolor paper, 22" x 15".  Available here and at Artfinder.

One of my favorite pieces emerging from the Freedom in Watermedia workshop with Stan Kurth - the story behind this one begins with a Johnny Cash song:

From the backdoor of your life you swept me out dear
In the bread line of your dreams I lost my place
At the table of your love I got the brush off
At the Indianapolis of your heart I lost the race

I've been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you've got me out of your conscience
I've been flushed from the bathroom of your heart

In the garbage disposal of you dreams I've been ground up dear
On the river of your plans I'm up the creek
Up the elevator of your future I've been shafted
On the calendar of your events I'm last week
​

I've been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you've got me out of your conscience
I've been flushed from the bathroom of your heart
Now if you've ever been dumped, rejected, kicked to the curb, left by the wayside or broken up with, you know there is nothing quite like a country song to help you wallow in your feelings.  But not being much of a wallower, I find Cash's song country enough but also dang funny.  A song that mocks songs like itself.  And that makes me smile.  

So the painting, which is strongly emotional and a wee bit intense, softened heaps and loads when it connected with the song.  The body language of the figure now explained, we can move on to enjoying the catchy tune that accompanies a song about bathroom flushing. :)
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Lion, Skewed (Inspired by Rufino Tamayo)

9/16/2019

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"Lion, Skewed" (Inspired by Rufino Tamayo) - mixed media on 300 lb watercolor paper, 15 x 22.  Available here and at Artfinder.

Taking a walk on the WILD side in the studio this week with a study of  Rufino Tamayo's "Lion and Horse", which became a lonely lion in my sketch version and final painting.  

Tamayo's oil painting is dark and rich and saturated, the characters highly geometric.  The face of his lion was the inspiration for my skewed version.  His is almost cartoonish!  
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Lion, Skewed
With a focus on the face, and with adding some depth and interest to the background, my own mixed media version became a little more ferocious.  Are those cage bars behind him?  Has he escaped? 

​And once more the chant of RESIST RESIST RESIST in my head when I felt the urge to smooth, soften, accentuate.  

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Lion and Horse - Rufino Tamayo 1942 oil on canvas
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small sketch
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small sketch, crayon, watercolor




​We live in magical times...where we can often hear the voices of artists gone from the world.  Take a listen as Tamayo discusses the sources of his color inspirations in this short video clip.
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Grandmother Moon

9/15/2019

11 Comments

 
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Grandmother Moon

​"Grandmother Moon" - mixed media on 300 lb watercolor paper, 22" x 15". Ready to frame.  Available here and at Artfinder.

Another piece from the Freedom in Watermedia workshop with Stan Kurth.  This one much more abstracted, yet still a figure.  I've been gazing at this one daily since the workshop, and this week, during the full moon, she decided to speak.  And given I've been thinking of my grandma recently, the title feels just right.
"To be alive is the biggest fear humans have.  Death is not the biggest fear we have: our biggest fear is taking the risk to be alive ---the risk to be alive and express what we really are.  Just being ourselves is the biggest fear of humans."   DON MIGUEL RUIZ

Once you reach a certain, ahem, age (shhhhhhhhh - no need for numbers!) thoughts of mortality are more prevalent.  Along with the preparing of wills and other documents which we'd much rather postpone until they are really necessary, by which time it will be too late.  While watching my thoughts (don't you do that? It's like stalking your own mind...) I recently noticed way too many were about being old, passing away, fleeting time.  So I wondered if I might be having a little anxiety or fear about death.  Until I read the quote above in Ruiz' The Four Agreements and had a little epiphany.  AHA!  I am not afraid of dying.  I am afraid of being REALLY alive and being EXACTLY who I am.  Wow.  Now there is a little something to sit in awe about.

I mean, really.  How many of us are out there living a bold, fearless, carpe diem kind of life?  How many of us spend an inordinate amount of time worried about what others think about how we  [insert word here: dress, act, believe, eat, look, drink, decorate, write, drive, walk, think]  and less than no time at all about what we'd really, REALLY like?

Maybe, my dear, cherished reader, you already seize the day in a brazen, Pippi Longstocking kind of way.  If so, would you comment below with some much needed HOW TO for the rest of us?   Though my intern is back at university now, Wonder Mike has volunteered to step in and send a little something sweet to the commenter whose comment is most commendable. Ready? Go!.  
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Georgia

9/12/2019

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"Georgia" - mixed media on gallery wrapped canvas, 16" x 20".  Ready to hang.  Available here and at Artfinder.

A bit of departure from abstraction today.   This portrait was just finished; it languished on my easel for nearly a month.  I wasn't sure who it was, what it signified, why I was painting it.  Until the final few layers, when she decided to become a likeness of my grandmother as a young woman.   Funny, because I hadn't been thinking of her.  But now, I am. :)

And so I think she pointed me to today's passage in Mark Nepo's The One Life We're Given : "...we're cleansed of stubbornness by the relentless tide of experience."  Well, my stubbornness hasn't been fully removed by any means, but it has been worn away to nubbins.  And Nepo promises we'll be "deeply renewed" once that stubbornness has had its butt kicked.  I wouldn't mind a deep renewal...especially if it includes a pedicure.
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Georgia
And I've been thinking about stubbornness quite a bit this week, as Wonder Mike becomes more comfortable in his new shangrala and begins to display his tiny but mighty personality.  Which includes an abhorrence of walks.  Twice a day, he and I each dig our heels in on opposite ends of the leash and take 45 minutes to go half a mile.  He likes to sit and look around.  I like to walk fast.  I realized after a week of this that he probably doesn't know how wonderful walks really are (who knows if he was ever even on a leash before) and so I've begun wearing away his reluctance with pockets full of treats, the most interesting destinations and a willingness to stop and greet every single passerby and yes, even sit beside him on the sidewalk now and again.  Just this morning, he sat by the garage door where his leash hangs, waiting to go.  I wonder if he knows deep renewal and a doggy pedicure are coming his way?
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Woman in Gray, Skewed

9/9/2019

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"Woman in Gray, Skewed" (inspired by Rufino Tamayo's "Woman in Gray") - mixed media on paper, 19" x 13".  Ready to frame.  Available here and at Artfinder.

This is the next piece in my self-created home study of Rufino Tamayo.  The original appealed to me because of the very primitive treatment of the form, the very neutral, earthy palette and simple shapes.  I love the way the form dominates the entire composition, and preserved that in my skewed version.

Again, as with "Boy in Blue, Skewed", the best parts are where watercolor and crayon peek through the chalky gesso and paint mixture.  Once more, the temptation to refine, make realistic, soften was nearly impossible to resist.  Nearly.  

"What's useful here is not the mental press for some kind of perfection, but the heartfelt effort to see and hear what's calling from beneath the surface facts of the world." - MARK NEPO

A reminder from my unusual art muse (NEPO) that the mental press of perfection isn't the goal at all.
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Woman in Gray, Skewed
This daily looking at Tamayo (and by looking, I also mean sketching and exploring with paint) really reduces, narrows, hones - my eyes begin to see the simplest of shapes in a compositional setting.  For those of you with a formal art education, perhaps this realization seems rudimentary.  For me it is a revelation.

Nepo, in The One Life We're Given, mentions the practice of tracking whale sightings in ship logs from the 1800's.    "And all processes of art are essentially ship logs, in which we track the appearance of what matters, and it surprises us with its majestic breach in to the ordinary moments of our day."  These studies are my ship logs.  A little aha, a majestic breach.  I will keep looking.
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Woman in Gray, Rufino Tamayo 1931 - oil on canvas
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small sketch
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marks and watercolor over small sketch
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Quieting Thieves

9/5/2019

8 Comments

 
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Quieting Thieves
"Quieting Thieves" - mixed media on paper, 15" x 22".  Available here and at Artfinder.

One of the ten finished paintings from the Stan Kurth Freedom in Watermedia workshop, this piece surprised me.  It is what happens when I am immersed in uninterrupted painting for many days, and all the annoying daily worries outside of the art are quieted.  

Mihaly Csikszentmihalyi would call this Finding Flow.  The same flow I find after a long morning of working in soil, or in the days when I could rake leaves and haul mulch.  All the constant chatter monkeys in my mind are hushed, and wonderful things can happen.

Mark Nepo calls this "Quieting the Thieves" (Things That Join the Sea and Sky).  We carry lists of things to do, hold them dear and give them priority.

​"...it is the insidious virtue to have everything in order before we live that is the greatest thief." - MARK NEPO
I've spent a lot of my life trying to finish lists.   Crossing things off gives me satisfaction.  It gives me the illusion I am ever closer to the time when I can relax and really enjoy life.  As if it must be done in that order.  Yet these lists (and worries I touch with my thoughts each day) are the very thieves which must be quieted.  The things which prevent flow.

One very good way to quiet thieves is to spend a few minutes immersed in the wisdom of someone else's words.  Here's a link to a TED Talk by David Whyte (provided by the same thief-quieting spirit lady who gifted me a copy of the new book by Mark Nepo) which is sure to help push your lists to the side for a few minutes today.  https://www.ted.com/talks/david_whyte_a_lyrical_bridge_between_past_present_and_future.
​
8 Comments

Oddfellows

9/1/2019

6 Comments

 
"Oddfellows" - mixed media on 300 lb watercolor paper, 15" x 22".  Ready to frame.  Available here and at Artfinder.

It was recently National Dog Week (Day? Month?) and there were so many heartwarming pics of our four-legged friends, present and past, filling up the internet...for a bit, there was nothing but warm-hearted love in cyberspace.  There are a lot of dog angels out in the ether watching over me, so it was no surprise when this odd pairing appeared in the paint.  Plus, I often find myself noticing the interesting combinations of humans and their pets, and smiling at some of the seemingly mis-matched pairs who make each other's lives a happier, more loving experience.  I mean, a giant would want a dog, right?  Or maybe a cat?

This is another piece from the Freedom in Watermedia workshop with Stan Kurth.  And yet another example of walking away without fiddling with things too much.

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Oddfellows
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"I am Wonder Mike and I'd like to say hello!"
In timing that only the universe could conspire to make happen, please give a hearty reader welcome to the newest malarkey staff member, Wonder Mike!  All eight pounds of him fell into my lap (literally!) at the Oregon Human Society.  His resume was spotty, but I think he will make up for his lack of skills with his social charm and spunkiness.

If you're wondering about the origins of his name, check out the song that inspired it:
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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