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Building The New Empire

11/28/2022

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"Building the New Empire" - oil on cradled wood panel, 6 x 12 x .75.  Ready to hang.  Available here and at Artfinder.


When we hold onto the pieces of a life that existed within a chapter we’ve outgrown, we feel increasing pain and discomfort. This is not because we are meant to spend any additional time dissecting what went wrong and what we wish we would have done and what could have or would have or should have happened.

​ It means that instead of standing in the ruins, we have to get to work building the new empire, the new way, the new life. We have to think less about what’s gone, and more about how we will turn every regret into a plan for the future. We are meant to take every disappointment and learn to see within it the truth of what we actually desire, what we really want, who we are truly supposed to be. - BRIANNA WIEST

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Building the New Empire
I don't know about you, dear reader, but I spend a lot of time ruminating and standing in the ruins.  Some of the habit of rumination can be attributed to introversion, being highly sensitive, having survived trauma and abuse.  But I believe a good portion of it is simply habit.  My brain falls into replaying conversations, and dissecting what went wrong instead of working on building the new empire. Wiest's words are part of a larger writing which begins with this: Your new life is going to cost you your old one.  Whoa.

And here we are - art imitating life, as the old paintings are obliterated by gesso and the new empire takes form on top of them. And again, whoa.

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​About the art:  beginning with a rubber wedge and leftover oil paint on a palette.  Moving the paint until a composition and form takes shape, then adding color, texture, line and nuance with a smaller wedge, chopsticks, a soft cloth, fingers.  Allowing the geometry to emerge while encouraging hard and soft edges.

These mini galactic abstracts are beginning to form a lovely gallery wall in the studio.  Small pieces with big impact.  Big worlds lasso'd and held for view.  
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Soothed Into Remembering Our Common Name

11/22/2022

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Soothed Into Remembering Our Common Name
"Soothed Into Remembering Our Common Name" - oil on cradled wood panel, 12 x 12 x .75.  Ready to hang.  Available here and at Artfinder.
"It seems that the ancient Medicine Men understood that listening to another's story somehow gives us the strength of example to carry on, as well as showing us aspects of ourselves we can't easily see. For listening to the stories of others - not to their precautions or personal commandments - is a kind of water that breaks the fever of our isolation. If we listen closely enough, we are soothed into remembering our common name."  -- Mark Nepo 
It's softly raining here in my studio in the trees...surrounded by gold and orange and green and red and falling water.    And I am thinking again about stories.

I've been trying to listen not to their precautions or personal commandments but to the stories of those around me.  The themes under the words, the stories they tell with words and actions.  Which helps me, in turn, see my own stories in a bright, clear light.

​I believe we all want to be seen, heard and understood.  We want our stories to matter.  

​For me, when I feel understood, it is indeed a soothing balm that helps me feel connected and no longer isolated.  The little gem in Nepo's words regarding precautions and commandments really has me contemplating, though.  Which of those am I delivering in lieu  of a vulnerable, authentic story? Hmmmmmmm.  As I listen, so will I learn.
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A view from the studio window

About the art: another piece emerging over top of a prior painting.  Keeping to a limited palette and using mostly rubber wedge and palette knife and fingers, trying to capture mood and emotion.  Resisting the urge to overly define her garment or the background, allowing the paint to move and suggest.
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The Unknown Forces Beyond All Wonder and Catastrophe

11/14/2022

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"The Unknown Forces Beyond All Wonder and Catastrophe" - oil on cradled wood panel, 11 x 14 x 1. Ready to hang. Available here and at Artfinder.

We gave name to the unknown forces beyond all wonder and catastrophe, by telling each other stories. - ALITHEA, Three Thousand Years of Longing
Every day, we tell stories.

Stories to each other, for entertainment, for encouragement, for validation, for safety, for connection and comprehension.  Some stories are true.  Some stories are slightly true.  Some are complete fabrications, some delightful and others malevolent.  These stories build the fabric of our relationships with each other and the world around us.  It helps us make sense of things - sharing and hearing these stories.  
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The Unknown Forces Beyond All Wonder and Catastrophe
Art is visual storytelling.  Each painting has something to say, or to hide, or to shine a light upon.  These stories emerge from within - the stories the painter tells herself.  Whoa.

I find myself examining those inner stories recently.  The brain is a powerful tool, and the thoughts we think are mighty.  Artists are notoriously riddled with self doubt, imposter syndrome, criticism and anxiety about their work, their talents, their value and contribution to society. I've got plenty of that.  But if I see those thoughts, observe them and then ask myself what if I think THIS (or THAT) instead, they lose a bit of power and free up a space for bold adventuring without hesitation.

As this year begins to wane, I find myself asking what if I paint over everything and begin again? ​What does that story look like?  And my brilliant husband, an extraordinary and insightful artist, reminds me there is beauty in destruction, too.  So I begin, painting over, building the new on top of the ashes of the old, freeing space for bold adventuring.  Oh, oh, oh. Here we go.

About the art: a board covered in black gesso, with multiple sketches and value studies on top.  None of them were just right. So I grabbed the rubber wedge, the oil paint, the chopsticks and let the cosmos begin to reorder itself right in front of my eyes.  My first real grid composition - something I told myself I would not like.  And then I did.  Oh.
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The SUn Came Up Slowly

11/7/2022

6 Comments

 
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The Sun Came Up Slowly
"The Sun Came Up Slowly" - oil on linen,  11 x 14 x 1.  Ready to hang.  Available here and at Artfinder.
The sun came up slowly, taking its own sweet time, doing the job right.  It bathed the world in soft pastels, in rose and soft yellow and rich brown.  It warmed the ground, the leaves, the grass.  It rolled into the sky, almost timidly, and looked down on itself, smiling into the chuckles of the spring.  The Wind Blows Free​ by Chad Oliver.
I'm missing the sun here in the midst of a days-long atmospheric river.  

It's grand in the studio, where skylights and big windows let a soft glow of daylight in on paint and painter.  But out and about, in galoshes and raincoats and layers of gloves and mittens, the sun is sorely missed.

Today's quote, from the ending of a long lost generational ship sci-fi short story from 1957 (read the entire story here at Archive.Org) grabbed me and plunked me into sunlight and warmth and a respite from the rain.
And so, though here in the studio I'm  still exploring galaxies and worlds beyond, a momentary dive into portraiture and wistfulness seemed like just the thing.  She's a sweet spirit.  And she's got her eye on a spaceman emerging on a canvas across the room...:)

About the art:  beginning with a linen canvas and white gesso.  Using an notanized photograph as a jumping off point and gently sketching a portrait with colored pencil.  Limiting myself to a color palette from a random floral painting in oils that I found online (turning it upside down to focus on the color inspiration, not the image) I placed light washes of darks with a rubber wedge, leaving lights for last.  Blending with brushes, fingers and paper towels.  Slowly adding thicker layers, then finishing her garb with a palette knife.
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notanized photo
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inspiration colors
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work in process
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emergent sweetness
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Soften While Still ALIVE

11/2/2022

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"Soften While Still Alive" - oil on cradled wood panel, 16 x 16 x 1.5.  Ready to hang.  Available here and at Artfinder. 

As the ancient sages all confirm, everything softens in time.  If we want to soften while still alive, we have to bring our hurt places into the light.  - MARK NEPO

Space exploration continues in the studio.

But when I say space, I am referring to the inner spaces as well as outer spaces.  I don't know about you, dear reader, but the more I look deep inside, the more I see what needs to be healed, brought into the light and embraced.  And the more I bring forward and embrace those  things, the more vulnerable I feel,  It can be overwhelming at times.

And yet...

I feel the softening of things.  If I can, I'll bring them all out to soften while I am still alive.  And enjoy the light shining on  soft places with a glorious warm glow.
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Soften While Still Alive

Artists!

A newsletter from Andrew Simonet dropped into my in-box today, just as I was contemplating the business of art.  This quote resonated with me, and I thought you might like it, too.

"Insufficient branding is not what makes an artist's life hard. Know why it's hard? Because artists do essential, arduous work that fuels everything in our culture, and we are consistently under acknowledged, under respected, and under compensated. That's why it's goddamn hard. Artists are not screwing this up. Artists are doing heroic work under intolerable conditions. This world extracts our creations and insights and abandons us economically."

For all of you out there creating, you are DOING HEROIC WORK!  I see you.  You look mahhhhhvelous. xo
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    Lola Jovan

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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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