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Mudge

12/30/2019

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"Mudge" - acrylic on repurposed wood panel, 8" x 8". Ready to hang (back has been wired for hanging).  Available here.

It is entirely reasonable to be back in the studio after nine days out and find myself unable to do anything but play.

These paints call me like swings beckoning little arms and legs to pump hard and reach for the clouds.  

Also, those nine days were spent in immersive family hilarity with a steampunk escape room, outrageously ugly sweaters, ridiculous board games and virtual reality zombies.  Who could be serious after that?  And a conversation between daughter and son about childhood toys named Mudge and Mudgina.  

It might be a while before I can be serious again.
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Mudge
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So instead I will show you the process of this particular playdate with the paint.

An old painting on board, flipped upside down.  Boldly splat some blue paint across it and spread it around.  Want some orange?  Sure.  Some magenta?  Why not? Turn the board again?  Ok.  Draw an odd creature?  Sure thing.  Scrape through the paint with a chopstick - because it is fun to excavate texture and color. Let the wood grain be itself, because it is boldly persistent.  Add softness with gesso-blended colors.  Hello, Mudge! 

Dear reader!  You've whiled away another year with me on the blog...and that makes FIVE since its inception!  I am so grateful for your time, your comments, your encouragement and for the lovely links to all the things that are inspiring YOUR playdates in the world.  Shall we do it again next year?  Yahooooooooooooo!
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A Sweet Repeat - It's Not The End of the World

12/19/2019

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"It's Not the End of the World" - oil on gallery-wrapped canvas, 24" x 24" x 1.75". Ready to hang (back has been pre-wired for hanging)  Available for purchase here and at Artfinder.  Available for rental at GettheGallery.

​Completed during an online workshop with the incredible Pauline Agnew  earlier this year, this painting reminds me of what can happen when I bust out of my normal routine and try new things...like the squeegee, which made this piece MOVE in a way I could not have otherwise accomplished.

It is a symbolic painting as well.  The end of one world is also the beginning of another...and therefore not the end of the world at all.  It has been a year of redefining where I am in the world, both physically and conceptually.  What felt perilous in one moment opened the door to amazement in the next.
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It's Not the End of the World
And so I find myself contemplating reframing.  

Not the painting, no, it hangs free of frame.  But the way I think of things.  What if - WHAT IF - I could stop and reframe in the very moment of standing on the edge of that swirling pool of mist?  What if I could tell myself this thing that is happening right now feels like the end of the world...and so it is also the beginning of something else, perhaps even better.  I guess we would all like to do that, dear reader, shift perspectives in the very moment.  And so we can.  If we practice. If we intend.  If we stay present and pause.  

I hope you will remind me that I wrote this, the next time I stand on the edge? :)

Blog and blogger will be on a lovely break next week for the holidays, which, for us, will include a highly competitive no-holds-barred ugly sweater conception, creation and modeling competition which is sure to have our entire family questioning its normalcy and sanity.  I wish you and yours a delightful malarkey-filled holiday!
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Sit Still and Come Undone

12/16/2019

8 Comments

 
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Sit Still and Come Undone
​"Sit Still and Come Undone" - acrylic on cradled aquabord, 24 x 18 x 1.5.  Ready to hang..  Available here and at Artfinder.

I am trying to live slowly during the busiest time of the year.

Being present in the season of presents is my new favorite pastime.  Stepping off the temptation to over do, over commit, over indulge (well, mostly).  Substituting a big pause, a deep breath, counting all the things right here in this moment.  They are myriad.  And precious.  And I don't want to miss a darn thing.  
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Because maybe I have missed things in the past. I was never good at the pause.
 
Until life conspired with the Universe to slow me down, make me look, help me listen, make me sit still.  Which is how art happens at all - slowing down and looking.  And how I learned about this song - slowing down and listening.

Today's painting began as a figurative piece.  But I was rushing, not listening to the paint, not feeling the figure.  It frustrated me for days.  Until I slowed down and surrendered to its desire to be something else, and it became effortless, joyful painting.    Let's sit still for a moment, shall we?  I'll make tea. :)
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The Soft Underside of Experience

12/12/2019

6 Comments

 
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The Soft Underside of Experience
"The Soft Underside of Experience" - mixed media on cradled aquabord, 24 x 18 x 1.5.  Ready to hang.  Available here and at Artfinder.

There are some things you can't prepare for.  You just have to dive in.  All the way in, head first, not just toes and ankles.

"And so I learned that holding nothing back unlocks the wonder and the soft underside of experience we briefly know as joy."  MARK NEPO, The Exquisite Risk

Once you begin unfettered diving in one area of life, it makes the next one a little less unnerving.  And perhaps the one after that becomes just another dive.  Until you aren't holding anything back anymore.  

"This holding nothing back centers on the perpetual risk to break and reframe our ways of seeing and being in the world."  NEPO

​Perhaps seeing  and being differently in the world is as terrifying as a deep dive off a cliff, dear reader, but Nepo promises wonder  and joy as a result.
It is a small thing, but this past week I was forced experience a different way of being in the world.  An injured shoulder  required me to stop using my left arm for the week.  I am left-handed, so that made everything a bit awkward.  Including painting. But I often draw wrong-handed to keep things loose, so the opportunity to paint an entire piece that way was too good to pass up.
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This painting, created entirely wrong-handedly, does bring me both wonder and joy.   And the realization that maybe, just maybe, the way I usually do things isn't the only or best way to do them.   Apparently, it is never too late in life to become a diver. :)
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Home

12/9/2019

12 Comments

 
"Home" - mixed media on cradled aquabord, 24" x 18" x 1.5".  Ready to hang (back has been pre-wired for hanging).  Available here and at Artfinder.

A departure piece this week, inspired by a stunning photograph by poet Mary W. Cox.  
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photo by Mary W. Cox
The value contrast and composition of Cox's photo immediately called me to abstraction. I wanted a nod to the image, but mostly the stark darks and lights, lines and hidden textures.
I sat with the final painting as I picked up a book, and wouldn't you know, there it was:

​..it's as if someone is calling you, ''Come home, my child, don't run anymore.  Come home to yourself.  Come home to life'" - How To Sit - Thich Nhat Hanh
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Home
 I've been contemplating the idea of home - the feeling even the word itself conjures.  Nhat Hanh invites us to come home each time we sit, each time we breathe, each time we are present to the wonders of life.  

But the word home evokes different images, emotions and responses in each of us.  A place, a time, a person, an ideal.  Cox's photo has us peeking into what appears to be an abandoned home, yet the light lifts the image and makes it hopeful.
And then there is David Byrne....whose lyrics often defy explanation, but whose snappy tunes shine a lifting light in a nod to the inspiration photo for this painting:

Home, is where I want to be
But I guess I'm already there


Take a listen.  I'd love to know - what does home​ conjure for you, dear reader?
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Extra-ordinary

12/5/2019

5 Comments

 
"Tea Time 2" (A Commission) - mixed media on cradled wood panel, 24" x 18".  Sold.

It delights me when I receive a commission request.  Commissions are kind of an art trust-fall on the part of the collector - a pre-purchase of an as-yet-to-be-seen painting.  Whoa.  And it surprises me when the request is for a piece which reflects where my art was instead of where it is or where it seems to be going.

Yet as I spent time with this sweet girl over the last couple of weeks, I found myself delighting in the simplest of forms, the purest of muses and the ease with which she emerged.

"Mindfulness asks that we cherish our moment-by-moment experience, treating each Tuesday morning and Saturday night alike as extra-ordinary.  The challenge of awakening in day-to-day life is to treat both the holy and the mundane aspects of life as equally sacred." - The Dharma of the Princess Bride,  Ethan Nichtern.
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Tea Time 2 (A Commission)
Nichtern's advice applies here. The pursuit of the next level of painting feels otherworldly, holy - just out of reach.  It is the creative version of living at the edge of your eyeballs.  There is a temptation to pursue it solely, intensely and fiercely.  A temptation to raise the bar with each effort.  But finding the sacred in what I already do well and easily is a sweet delight and an opportunity to  both create and refuel at the same time.

I am reminded of a meditation on eating a tangerine by buddhist monk Thich Nhat Hanh:  “Each time you look at a tangerine, you can see deeply into it. You can see everything in the universe in one tangerine. When you peel it and smell it, it’s wonderful. You can take your time eating a tangerine and be very happy.”​

​And so I will be communing with this avocado toast, dear reader.  I'd love to hear what breakfast food held the universe for you this morning. :)
5 Comments

As You Wish

12/3/2019

13 Comments

 
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As You Wish
"As You Wish" - mixed media on crescent board, 20" x 15".  Available here and at Artfinder.

"Aaaaaaaaaas...youuuuuuuuu...wiiiiiiiissssshhhhhh."  - The Sound of Devotion Rolling Painfully Down a Very Bumpy, Very Steep Hill.  
from The Dharma of the Princess Bride, by Ethan Nichtern

Welcome, December, and a fast plummet toward holidays and the end of a quite interesting year.  Perhaps, dear reader, your internal recap of the year takes place on New Year's Eve, in January, or perhaps even February when January has wizzed by in the blink of an eye without your permission.  For me, December marks the anniversary of a move to the Pacific Northwest and the beginnings of seeing the world with fresh eyes.

"...dating, a quest that felt like a blindfolded scavenger hunt through a junkyard of random advice." - NICHTERN   Maybe I don't need to add anything to that, except that the last time I dated the internet didn't exist and telephones were still attached to walls.
Cover that with a frosting of introversion, a desire for deep and meaningful connection, and a perhaps jaded view of love in general and you'd think it was a formula for comedic failure.  Except it wasn't.

Following the repeated theme (cue 2 x 4 smacking against my head) of surrender to what is and a determination to follow the breadcrumbs of the universe (yes, even if they lead to a witch's cottage), somehow I  tumbled right into a new beginning, "next step in the ongoing dance between self and other" - NICHTERN - which is as deeply connected as it is lighthearted and playful. Yay. :)

And so, as Buttercup and Westley (as Dread Pirate Roberts) awkwardly roll down a hill toward their next adventure, I find myself smiling at a universe which has a quirky sense of humor along with a penchant for heavy boards banging against the head.  
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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