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Sara

10/12/2020

6 Comments

 

"Sara" - acrylic on gallery-wrapped canvas, 16 x 20 x 1.5.  Ready to hang (Sides are painted; no need to frame.  Hanging wire is attached).  Available here and at Artfinder.

So goodbye yellow brick road
Where the dogs of society howl
You can't plant me in your penthouse
I'm going back to my plough
Back to the howling old owl in the woods
Hunting the horny back toad
Oh, I've finally decided my future lies
Beyond the yellow brick road
- from Goodbye Yellow Brick Road by Elton John


​Last week in the Expressive Portraits course we worked from vintage photographs - victorian women, coal miners, stoic, gritty faces which told countless stories.  In order to get my muse in a nostalgic mode, I queued up a playlist of songs from my youth - the kind that take me back and have me wondering how, a few notes into a song from the past, I can find tears in my eyes and feel transported into feelings of my much younger self.

And that is a nice place to visit - but I don't want to linger there.  Just mine it for gold.  Or yellow bricks.
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Sara

How can we take the fodder of our yesterday and turn it into rich, loamy soul for our older, wiser souls?   How do we hang onto the exquisite moments of long ago and yet allow room for growth, expansion and unfettered exploration?  This song, a remake of a classic, is a perfect demonstration of just that.  

We can hold on loosely, allow the song, the lyric, the memory to breathe - expand, contract, expand again - until it becomes something new, grown from the soil of sweetness and nostalgia. And so I am opening my hands, relaxing my fingers, allowing...

About the art:  beginning with a drawing in stabilo pencil and charcoal, jumping off to a canvas and allowing the paint to create happy accidents and textures, and also allowing the woman in the painting to define herself.  In the drawing, an electric eraser was used to create vertical texture.  In the painting, the same effect using a catalyst wedge through wet paint.  Titled after singer Sara Bareilles, I think this one took something old and made it new, too.
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6 Comments
Carl Stoveland
10/12/2020 10:46:44 am

It seems everyday you raise the bar with your art and your words. Bravo!

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jen
10/12/2020 11:00:43 am

Carl! Welcome back from your adventures in the Dry Tortugas! And thank you so much...I know you do the same thing with your art and photography. We just keep reaching! It is our nature as creative beings. :)

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Carol Edan link
10/12/2020 12:06:33 pm

Sara not Louisa? Beautiful! Just LOVE her hair! What a GREAT video...thanks!

Reply
jen
10/12/2020 04:21:19 pm

Carol! Yes, the modern version, I've decided, is Sara (after the singer in the video). I love her wild, abstracted hair, too!

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Dorothy Seiter link
10/12/2020 03:30:15 pm

electric eraser?? tell me more!

the lips / the mouth / their expressiveness; the asymmetries; the collar!; the contrast of soft/blurred with sharply defined: yes, yes, yes, yes

AND the mystery and magic that come from covering each vertical half of this portrait in turn and seeing two different people, then returning to the merger of the halves: wow

Reply
jen
10/12/2020 04:24:04 pm

Dotty! Yes, electric erasers (can be acquired on Amazon). Using it with broad, striking gestures in a drawing removes pencil (charcoal, whatever) and leaves amazing texture. I'll be using mine often! Thank you for noticing all the elements and the asymmetries - I am learning so much in the course with Pauline. More to come!!!

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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
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​Art prints available on request
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