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Where the Smoke Blows Back

6/22/2020

8 Comments

 
"Where the Smoke Blows Back" - acrylic on plywood (baltic birch, uncradled)  18" x 11" x .5".  Ready to hang (back has been pre-wired for hanging).  Available here and at Artfinder.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.​
 - Shel Silverstein, Where The Sidewalk Ends



I've never been a slow walker.  I like a pace that is purposeful and brisk.  Slow and measured?  Not  in my wheelhouse.   But you know that pesky universe...it makes me  do the things I wouldn't normally do to get to places where I might not otherwise arrive.

When the smoke blows back, it is instinctive to hurry scurry outta there.  But in my hurry, I miss the smoke signals, so to speak.  The lessons in the blow back.  And so I am trying to slow my roll.
Picture
Where the Smoke Blows Back

About the art:  This piece began as the thing you are NEVER supposed to do as a painter - use the leftover paint on your palette to begin a new piece, without purpose or planning.  And, in general, whenever I try that a big coat of gesso goes over the entire thing and I begin again.  In this rare instance, however, there was an interesting composition in the hastily splatted paint.  And thus I landed in a dystopian forest landscape with a fiery backdrop to charred trees.  Acrylic paint thickly applied with rubber wedge, paintbrush, fingers and chopstick.
8 Comments
Carol Edan link
6/22/2020 11:11:19 am

As a painter that hates wasting paint I am often at that same dilemma! With acrylic I tend to use sandwich paper for my palette and let the paint dry--voila collage material. Sometimes I pick it up put it on the piece... very scary! And then I might make a mono-print to work on later... really depends on the mood!
The energy here is dynamic! One can always backtrack. Cover over, make a resting place. You needed to get that out the way you did!

Reply
jen
6/22/2020 06:26:43 pm

Carol! Thank you for the feedback, and for the practical advice! Using your palette as collage material - genius!

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Dotty Seiter link
6/22/2020 11:14:26 am

Jen, keep doing the thing you are NEVER supposed to do as a painter, girl! oo-ee, you've got it going on here. Color, hints, layers, smoke signals, brisk pace, slow roll—it's all popping right at me.

Reply
jen
6/22/2020 06:27:34 pm

Dotty! I promise to keep breaking rules. ha ha! And probably not just in art. :)

Reply
Carolyn Laudati
6/22/2020 12:02:17 pm

WOW! These colors are brilliant, and I really like the movement you have created! I found a technique that I am using right now, you take lunch trays, wet shop towels, and tracing paper! Your pallet stays wet for longer periods of time and makes going away for short periods doable. I have taken the extra paint and actually applied it with a brayer onto my 12x12 birch boards, then used the dried tracing paper for collage! Talking about using up all the paint leftover! Plus you have a "start" on a new board.

Reply
jen
6/22/2020 06:29:16 pm

Carolyn! You and Carol (a fab artist in Israel - see comment above) are kindred spirits! Great idea on the tracing paper for collage material. And for a "wet" palette!

Reply
Carl Stoveland
6/22/2020 05:51:24 pm

Your life, your pace and your art. Do it your way. Make corrections and reflect as needed. Also take the accolades and the victory lap. We get both scenarios in life.

Reply
jen
6/22/2020 06:30:11 pm

Carl! Thanks, friend. I am very much enjoying watching you and Shannon take your residency victory lap right now!

Reply



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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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