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Do The Thing

6/23/2025

9 Comments

 
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Do The Thing


LISTEN to the blog by clicking the DOWNLOAD link above

Do The Thing
pen and ink on Yupo
8 x 10 inches
This item is unmounted and unframed
​(click on the image to purchase)

It’s impossible to be a life-changing presence to some without being a total joke to others. Criticism is proportional to impact.

​​People will criticize you for your successes. They will criticize you for your failures. They will criticize you for acting. They will criticize you for not acting. 
​
F*ck the haters. Do the thing. - MARK MANSON
It has been brought to my attention that a number of you creatives are feeling stymied by the situation in the world.  That perhaps your inner critic and naysayer, that finger-wagging shame-ball lobber is telling you not to create.  The inner voice is being a hater, sending you down the toboggan chute of procrastination and inaction.  

​Well,  I have a message (and a permission slip) for YOU!  

(If you have trouble with the video, here is the link to it on YouTube)


Here's a little something to fire up your creativity!

The AI bot recently launched the ability to take your art and animate it.  Whoa!  So the first piece into the animation incubator was Frank-on-skates.  I think the bot did a great job of bringing him to life.

Can you see me rubbing my hands together with glee?  Oh oh OH!  The possibilities!

About the art:  I like to work pen and ink drawings into the mix while layers on oil paintings are drying.  This keeps my hands busy so I don't succumb to the temptation to fuss with the oil paint while it is still damp - it's a real problem, I tell ya!  So this week I wanted to create a piece inspired by attending the NO KINGS protest here in Portland, along with the general sense of frustration and anxiety going on all around.  I'd really like to have this woman's outfit and boots.
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Three Things to Be Truly Happy

12/16/2024

6 Comments

 
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Cerys (love)




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"Cerys", "Amal" and "Bakari" - oil on copper panel, each 12 x 12 x .25 inches.  These pieces are unframed.  (click on the image to purchase)

They say a person needs just three things to be truly happy in this world: someone to love, something to do, and something to hope for. - TOM BODETT
I'm certain I say this every year at this time, but where has the year gone?  ​

It has gone into over 135 paintings, 50 blog posts, a bazillion social media posts, vats of oil paint, gesso and walnut oil.  Dozens of demolished brushes and chopsticks, rolls of paper towels, reams of butcher paper, craft paper, stacks of canvases, Yupo sheets, wood panels and more.  And that's just in the studio!

Here in the blog we've tackled a ton of tough trains of thought sprinkled with malarkey and dappled with hope, exchanged heart-felt words and connected over the waves of cyberspace.
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Amal (work)
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Bakari (hopeful)
​In the wide world, things are tumultuous and still roiling, which sends this introverted turtle scuttling for her shell, mulling what really matters.  Bodett says it well - love, purpose (something to do) and hope.

Perhaps I've stumbled upon some of these things later in life (the last third, as we say here at home), but here they are and holy wow they are gooooooooooooood.  Mmmmm, mmmmm good.  And they are an armor of sorts in a world of anxiety and unrest.  Love, purpose and hope.  A formula for happiness.

This is the final post of 2024 as our wee tiny family will be adventuring for the holidays.  Wishing you and your loves big happiness during the merry season and beyond!

​About the art: continuing my exploration of copper panel as a substrate, and my fascination with helmeted, faceless beings.  Once more embracing a more earthy background with a very modern figure in the foreground, keeping the background soft and the edges of the foreground more crisp.  These are androgynous beings - inviting us to dismiss gender stereotypes.  I'm particularly fond of Amal's beaded neckpiece, Cerys'  outrageous shoulders and Bakari's  dressy white shirt.  This trio has been major good mojo in the studio - more copper coming in 2025. :)

It's the last post of the year, and your final opportunity to enter the December Reader Giveaway!  Leave a comment on any one (or more) of December's posts to be automatically entered to win a piece of original art - FREE!  The winner (or winners) will be announced right here in the blog during the first week of January.  Ready? Set? GO!
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It's Never Like What You Expected

10/21/2024

4 Comments

 
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"It's Never Like What You Expected" - oil on canvas, 15 x 30 x .75 inches.  This is unframed but ready to hang. (click on the image to purchase)

“No one can tell you what your life is goin to be, can they?

No. 

It's never like what you expected.

Quijada nodded. If people knew the story of their lives how many would then elect to live them?”
― CORMAC MCCARTHY, The Crossing
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It's Never Like What You Expected
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If you've never read any Cormac McCarthy, maybe pick up one of his novels and crack it open on a rainy, dismal day.

It's heady reading - exquisite prose, heavy symbolism and themes that make your heart ache.  Sometimes it leaves me weeping.  It always leaves me thinking.  And surprisingly, it  leaves me wanting to be a better painter.  To capture deeper emotions, to reach deep into the viewer and touch something hidden. 

And so the vacant eyes of these silent sentinels under an alien sky remind me to listen, look and feel all around me. Life is never like what you expected - ​the crows remind me to meet life where it is, not where I thought it should be.

About the art:  inspired by our own family of crows, who pose for the camera nearly every day and somehow remain mystical and powerful despite their absolutely ridiculous antics and the silly sounds they make.  Beginning with a gesso'd canvas and a light sketch with a brush and  thinned paint, then slowly working from light to dark.   Alternating between brush, rubber wedge and a squeegee (to get those delicious textures at the bottom of the painting) and between hard and soft edges.  Letting the planets be wonky and wobbly while the center stage crows are crisp and noble.  I think Rocky and Natasha would be pleased.

It is the final week of the October Reader Giveaway!  Leave a comment on any blog post this month to enter.  One (or more) lucky readers will win a piece of original art - FREE!  Now THAT'S a Halloween treat! 
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Matter Yearning for Meaning

8/26/2024

11 Comments

 
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Matter Yearning For Meaning


​LISTEN to the blog by clicking the DOWNLOAD link above

​
"Matter Yearning For Meaning" - oil on Yupo, 18.5 x 24 inches.  This item is sold unmounted and unframed.  (click on the image to purchase)

Here we are, matter yearning for meaning, each of us a fragile constellation of chemistry and chance hurtling through a cold cosmos that has no accord for our wishes, takes no interest in our dreams. - MARIA POPOVA

There's this thing about aging.  A shift in mind and sense of place in the world that makes very clear what a fragile constellation of chemistry and chance​ we are.  The chemistry of my body and brain is responsible for many wondrous (and a few frustrating) things.  That chemistry can allow feelings of exuberant joy and also deep sadness and fear.
And don't get me started on chance.  Where I am, what I do, who is near to me and how I think about all of it is so much an amalgamation of chance happenings and situations.  We don't choose our parents.  We don't choose our genetic make-up. We don't choose much of anything about the direction of our lives until we near adulthood.  And even then - how much of our choices are truly choice vs a continuation of patterns and paths or completely random encounters and events?
​
And so, in a truly happenstance conflagration of chemistry and chance, I recently found myself in a heroic, therapeutic  psilocybin journey which left me even more aware of the fragility of that entire constellation and the brevity of all that is.​  Oh!
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About the art:  continuing an exploration of a mash-up of robot and human as in the ballgown bot series, except this time exposing the vulnerable flesh of humanness with the slight augment of the cyborgian (is that a word?).  The goal with this piece was to embrace the neutrality of the figure coloring and allow the background and the robotic arm pieces to be the only obvious color.  As always, the Yupo allows an easy, relatively rapid layering of oil paint, and also the ability to carve back through it (the background design elements and the artist's signature) to expose a pale pink underpainting.  This piece just oozes strength and bold badassery to me.  Yaaaaasssss please.

Congratulations to Dotty and Marta!  Wonder Mike chose your names at random as winners of the  August Reader Giveaway!  Send your mailing addresses to Wonder Mike at [email protected] and your free art will be shipped to you lickety split!  And thanks so much to all who participated.  A new contest begins next month!  Hooray!
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I Can Do This, I Say

4/29/2024

8 Comments

 
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I Can Do This, I Say
​"I Can Do This, I Say" - oil on cradled wood panel, 18 x 18 x 1.75 .  Ready to hang. (click on the image to purchase)

So often I dream you’re here and I wake in the middle of a prayer from my muzzled
childhood. Jesus Mary and Joseph, I say, appalled that I’m stuck in 1955 when I need

something profane to see me through. Serrano’s submerged cross. Ginger tea.
The idea that we’re moving between horizons and the Earth is so wise she sends us

Winter and red-tailed hawks when we least expect them. I can do this, I say,
and the planet shifts imperceptibly. From a great distance she appears to be at peace.
​
-FROM FIDDLEHEADS BY MAUREEN SEATON



A month of Fiddleheads​ lands us here, with the planet shifting imperceptibly as she/we sees the small beauties in an otherwise difficult life, and knows she can do this.

The things we can do when we think we can do no more astound me.  The pain we can endure, the exquisite joy we can feel wash over and through us even though there is pain.  The beauty we can see in a world bursting with conflict and crisis and chaos.

Winter and red-tailed hawks when we least expect them - yes.   And spring and river otters chirping, wild turkeys calling, crows raucously defending their turf.  I can do this, I say.
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About the art:  beginning with an old acrylic painting and a tub of black gesso, murdering the old painting to make room for the new.  Carving back through the wet gesso to reveal a spot or two of the underpainting color.  For this piece, I used no inspiration image.  Just a color palette and my Planes of the Head mannequin  - https://planesofthehead.com/products.php.  I sketched a basic shape and features with a small brush and some thinned oil paint.  Then the requisite 80 million layers of thin washes - darkening the background, highlighting the face, the flower petals, the hair.  Allowing the texture of the original painting to create a kind of old-world crackling of the skin.  OH!  A walnut-oil laden brush over wet petals to create the dripping effect.  A final layer of Gamvar gloss over the dried painting to make the darks sing.

Congratulations to Sara V.H.!  Wonder Mike selected your name at random as winner of the April Reader Giveaway.  Be on the lookout for your prize package in the mail.  And thanks to all who participated!  Hooray!
8 Comments

Super Times Two

3/11/2024

8 Comments

 
"Billy is Anything But Boring" - oil on wood panel, 16 x 20 x .75.  Ready to hang.  (click on the image to purchase)

"Mortimer is Not Mundane" - oil on wood panel, 16 x 20 x .75  Ready to hang.  (click on the image to purchase



The older I get, the more I realize that success at most things isn't about finding the one trick or secret nobody knows about.

It's consistently doing the boring, mundane things everyone knows about but is too unfocused/undisciplined to do.
​
Get good at boring.     - MARK MANSON


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Billy Is Anything But Boring
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Mortimer Is Not Mundane
I would so love to be a dastardly super-villain femme fatale with mischievous eyes and a wicked, echoing laugh.  
​
Imagine the super-human superpowers (and wardrobe)  such a super-villain would have!

But we each have our own unique superpowers, right?  My superpower is super dull -  I have the ability to do something repeatedly, observe it, refine it, do it again, add more boring tasks to it, repeat them, keep a list in my head of the mound of the mundane, oversee it all and then do it again into infinity.  I remember taking a career aptitude test in high school.  No surprise - the results showed I'd be great working on an assembly line. Yawn.  It doesn't inspire a fabulous mask and costume, just a reliable metal lunchbox full of executive function.
​
​ I am actually grateful - this ability is pretty good for keeping life from going off the rails.  But a day of leaping tall buildings, invisibility, flying or even just figuring out who done it in the crime novel we're reading would be nice.

​ Just saying.

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​What's YOUR superpower?  Leave a comment below!  One lucky commenter will win a piece of art FREE, just for participating.  The winner will be announced at the end of the month.
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SUBSCRIBER PERKS!  
​This month, take 35% off anything in the shop with coupon code SPRINGFORWARD35.
  Books, art cards, paintings and prints!  Coupon expires March 31.  

Thank you for being a subscriber and for participating in this little zone of connection and art.
​ I so appreciate you!
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1600

7/19/2023

12 Comments

 
There is a rhythm here.  In life and in art.  The art rhythm sounds like this:

inspire inspire inspire
create
look look ponder
create
look look ponder
create
look look SEE
c-o-n-t-e-m-p-l-a-t-e
fuss, fuss, dab
document, photograph
l-i-s-t-e-n
write
post
p-a-u-s-e
and then - inspire inspire inspire again.
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1600 is grin-worthy
Here in the p-a-u-s-e there is a big grin.  In the documenting (a spreadsheet which I have kept for over a decade) I recently typed 1600.  As in 1600 paintings.  One thousand six hundred pieces of art.  And this really means something to me.

When I first began this journey from right-brained banker-type to left-brained creative, a workshop instructor, when asked how to become a good artist, said something like "There is no shortcut to being good.  Paint 400 pieces.  Then you'll be an artist.  Or, at least you'll have some clue about what you're doing.  Four hundred.  There is no other way." (I am paraphrasing for sure, this conversation having taken place looooooong ago).  I sat in that workshop and decided in that moment to paint 400.

At 400 pieces I did have a clue.  At 800 pieces I no longer cared so much what other people thought and became rather fearless.   At around 1200 pieces I sort of lost my way and totally cared about what other people thought and tried to paint for others and questioned everything.   And now, at 1600, I am back to having a clue again and not giving a whip for the thoughts of many (but caring deeply about the thoughts of a vetted few). 

So I am standing here in the pause, looking at this wall of drying paintings, wondering what the next 400 will bring and knowing knowing without a doubt that each of you, dear readers - those who read silently and anonymously, those who read and comment, those who read and share, those who maybe skip reading and go right to the art and those who take that art home with them - you are the melody to this rhythm.  Thank you, thank you.  I am so grateful. xo


12 Comments

The Wondrous Dance of it All

2/25/2023

6 Comments

 
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The Wondrous Dance of it All
"The Wondrous Dance of it All" - oil on paper, 15 x 17.  Available here and at Artfinder.

Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.
 - from Sometimes a Wild God by Tom Hirons
Dear reader - I don't always know what these art pieces mean until after they are completed.  The stories seem to fall into my lap at the right time, and I suppose that is just the magic and mystery of art.

​I did not know, when creating this peculiar dancer, that I was about to get a message from a friend I'd never met - an artist I'd known for years.  And I did not know the message would begin with ​I have a short time to live.
Over the three weeks following that message, I met Valerie for the first time, and then said goodbye for the last time.  The incredible artist Valerie Thomson passed away in her own home yesterday.

She was a fount of knowledge, sharing her passion for plastic-free art and environmentally-gentle packing materials, paints, substrates (and even tape!) with anyone who was curious.  And she painted like the muse was in her own two  hands.  Her entire home was her studio - no space was left for anything other than art and the creating of it.  She collected art from around the world (including many of mine) and sold her paintings around the globe.  

During the last visit, I asked her what she wanted the world to know.  She said, without hesitation, "there is always room for more kindness."  And then she proceeded to give away her entire studio of art supplies and her entire collection of art.   To me and to others who responded to her messages.  This amazing woman, who had been reclusive and hermit-like for the last decade, found herself in tears over the people who said "YES!" and rushed over to meet her and help in any way possible.  And there I was, on the end of her bed, crying with her.  Over bagels with scrambled eggs, just the way she liked them.

My studio is packed from floor to ceiling now.  Canvases, boards, oil paints, oil sticks, papers, pigments, brushes and wedges.   Including several of her unfinished paintings, of which she said "finish them.  Or paint over them.  You'll know what to do."  It's a daunting thought.

From her diagnosis to her final day was just a few short weeks.  Once again, the brevity and fragility of life overwhelms me.

​About the art:  beginning with an A.I. prompt asking the bot to create a "killer robot samurai dancer in the style of Degas" and the bot's response image below, I created a notan and a notanized grid, sketched the composition onto some Arches oil paper (a new favorite) with colored pencil.  Thin washes of oil paint to rough in the shapes and the background, then increasing thicknesses applied with brushes, rubber wedges and paper towels.  Veering away from the inspiration image to create my own version of this strange little one.  Oh, the wondrous dance of it all...
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
  • Home
  • ART
  • BLOG
  • Exhibits
    • The Downside of Lycanthropy
    • A Song for the Hunted
    • The Wild God
    • NUDGE - SHOVE
  • BOOKS