Which sent a flood of awareness coursing over me - all the people whose benefits, jobs, housing, education, food, utilities, medical care and citizenship are at stake now. First a trickle, then the flood. But we see you, human monsters. We see you and we vote. We protest, we write letters and send emails and make phone calls. We see you.
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But back to the quote at the beginning of this post - I absolutely live in the gap. What I imagine and what I paint are two different things. But I am relentlessly determined to have my skills catch up to my dreamscapes. Probably they never will. But there is always the next one. Which is a lot like hiking. What's over the next hill? Around the bend? Across the stream? Always curious about what's coming next. Always willing to go and look. About the art: beginning with a piece of art board (donated by my artist husband while he organized his studio space) I roughed in a mottled sky using a palette knife and thinned oil paint. Using the side of the palette knife and some dark paint, I roughed in a landscape in a V shape with a couple of hills. Working quickly and abandoning preciousness, I build layers of paint until there was some texture to it. Grabbing a piece of butcher paper, I pressed it into the paint to lift some of the layers, then pressed the paint-laden paper in other sections, creating a rocky ground look. Carving back into the paint with a rubber wedge and creating some "treeness", then adding color to those verticals with the palette knife. Inspired by hikes in the waterfall section of the Columbia River Gorge. The June Reader Giveaway continues! Leave a comment on any blog post this month to be automatically entered to win a piece of original art - FREE! And thanks for your comments and your support!
The April Reader Giveaway begins today! Leave a comment on any blog post in the month of April to be automatically entered to win an original piece of art - FREE!
I'd love to hear what you're relentlessly pursuing! Leave a comment below. About the art: beginning with a gesso-primed gallery-wrapped canvas, I pressed leftover wet paint palettes against the canvas over a period of weeks, never mind color, consistency or pattern. This creates a lovely uncontrived texture and pops of unexpected color coming through the final piece. Once thoroughly dry, I drew a rough sketch with a wet brush covered in thinned dark paint. At this point I am not wedded to the composition, just exploring. Working top to bottom with a palette knife, I applied paint in thick layers, allowing the colors to blend in some places and making sure to preserve a thin line of the dark under sketch at the border of each shape. Once the neutral base layers were in, some drying time and then the pops of pinks and reds were added. I carved back through the nearly dry paint with a chopstick, creating trails meandering down the canvas. Walking away before my neat and tidy side can overwork the textures. It's the final week to enter the March Reader Giveaway! Leave a comment on any (or many) blog post (s) this month to be automatically entered. Someone will win a piece of original art - FREE!
About the art: copper panel makes exploration deeply satisfying, and this piece was no exception. Beginning with a rough sketch with an acrylic paint pen directly on the copper, and slowly adding thinned layers of oil paint. Working from that single eye outward and keeping the color palette very limited, I followed the paint as it moved. With my perfectionist's hand tied behind my back, I pursued scratchy, rough emotion with chopsticks, rubber wedge, fingers and dripping brush. Keeping the paint wet allows the copper to be easily exposed by dripping paint and by scratching/carving techniques. This one moves me.
The March Reader Giveaway continues! Leave a comment on any blog post this month to be automatically entered to win a piece of original art absolutely free! Winner will be announced on March 31st right here in the blog. Ready? Set? GO!
About the art: this piece is inspired by an image the AI bot created, which was a surprise interpretation of the prompt I had supplied. But I often find those random, wonky images are just exactly what I needed (but didn't know I was looking for). When I saw this one, I connected with her right away - somewhat masked (the eyes) and stern looking, but with torn tights and mismatched gloves and a tutu that was clearly falling apart. Ha ha! As usual, the Yupo allowed a pretty rapid building of the layers of color, and the ability to create texture within the paint. Keeping a nice mixture of hard and soft lines was key with this one, along with varying the reds just enough that her chair stood out but did not distract from the figure. A bit of paint thinner was added to the edges of her skirt to allow some runs and smudges. Kind of a modern version of The Thinker. The September Reader Giveaway continues! Leave a comment (or several) this month to be entered to win a piece of original art! The winner will be announced here in the blog at the end of the month.
The ballgown bots are something I stumbled upon that delight me and seem to feel effortless under my hands. But it is a rarity, this sense of ease in the paint. As I gaze upon the pile of canvases and boards to be painted over (my share of duds) I am decidedly grateful for a wizardly moment with the paint. About the art: this is a paint-over of a very old acrylic piece on crescent board. Though I chose the underpainting because of its color and depth, ultimately none of it remains in this new painting. The focus of this piece is that small section of skin against the dark background - a wee bit of humanity within the monstrous. After a light pencil sketch, I began layering the darks, painting around the form until the shapes were just so. Resisting the desire to overly define the skin shadows, letting shapes speak instead. Layers and layers of pink and gold for the dress, wet into wet so the edges slightly blur into the dark background like gauzy silk. Mixing the darkest darks for bodice and underskirt (while avoiding actual black) and then a slightly gray-brown dark for the background. Playing one dark against the other. Allowing a small shape within the headpiece to say "eye" and a dark shape to say "ear" and leaving the rest to the viewer's eyes. This piece makes me smile. She's a badass for sure. It's the final week to enter the August Reader Giveaway! Leave a comment to be automatically entered to win a free piece of original art! The winner will be announced in next week's post.
Part of the art of the trapdoor is being present with where you are within it - are you in the terror and longing? Are you in surrender? Are you in the singing of the small voice of your soul? Not forcing, just accepting, having faith that it is, indeed, a process that you will move through and emerge from - you see, I know this, but doing it is something else entirely. Sigh. But I am learning to look at these experiences as I would a painting - some of them emerge from their "ugly" phase and become something radiant. Some are just practice pieces that are huge fails on their own, but teach me something that will make the next one easier, better, more. These small, incremental shifts in seeing challenging experiences just a little bit differently will one day pay off. Just watch - I'll be gliding my way through effortlessly and gracefully. Well, that's the goal, anyway. About the art: hello, Yupo - it is always nice to be on your playground, where layers build brilliantly and paint glides like butter. For this piece, the main focus was capturing the mottled tones of the main character's face, which came only after the 80 millionth layer. But at that moment - voila! Such satisfaction. The folds and lines in the clothing are created by using a small rubber wedge to carve back through the paint. Yupo is the only substrate I've found that this works so smoothly with. The August Reader Giveaway is in full swing! One (or more) lucky readers will win a free piece of art! Just subscribe, read and comment anytime in the month of August to enter. Already subscribed? Just comment to enter! Comment multiple times during the month and be entered as many times. WHOA! Wonder Mike LOVES sending free art each month. The winner will be announced here in the blog at the end of the month. Ready? Set? ENTER!
 "Number is Portal" - oil on gallery-wrapped canvas, 30 x 10 x 1.5 inches.
 "Understanding is Joy" - oil on cradled wood panel, 24 x 12 x .75 inches
About the art: these pieces were all painted alla prima (wet into wet), beginning with a very wet background of darks and building the layers in increasing thickness toward the lights. What I learned through many iterations is: the details get in the way with these - a hint is better than full disclosure, a clue rather than an answer. For several pieces, I fell into the mistake of overly detailed fluffy clouds, which looked, I don't know, contrived and meh. A squeegee across the wet paint immediately improved everything. After a long drying time, a final coat of varnish on the wood-based pieces added depth and deepened the darks. It's time to begin the August Reader Giveaway! Subscribe! Read! Comment! Be automatically entered to win an original artwork - FREE! The winner will be announced at the end of the month. Ready? Set? WIN!
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AuthorLola Jovan 
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