- Published on
Rock, Old As Eons
oil on Yupo
18.75 x 11.5 inches
oil on Yupo
18.75 x 11.5 inches
thick-skinned gloves
like armor
they bend
but do not give
gloved hands grasp
rock, sharp
rock, unyielding
rock, old as eons
I climb
not as a goat
but as a hesitant human
can I? should I?
will I?
probably
I should not
but I can
and I will.
- Lola Jovan
like armor
they bend
but do not give
gloved hands grasp
rock, sharp
rock, unyielding
rock, old as eons
I climb
not as a goat
but as a hesitant human
can I? should I?
will I?
probably
I should not
but I can
and I will.
- Lola Jovan
It is one month away. Our annual hiking boot-camp on the border of California and Oregon, where we test our mettle against rocks, briars, tides, sand and sun.
And so my head is filled with memories of what we did the last time, and the time before that - oh, and the others before that. Including the equipment epiphany that was climbing gloves. Don't get me wrong - we are not rock climbers, per se. We are scrambling over giant boulders to get to the next cove. And those gloves? They make old, arthritic hands better. And the woman wearing them more confident.
And so my head is filled with memories of what we did the last time, and the time before that - oh, and the others before that. Including the equipment epiphany that was climbing gloves. Don't get me wrong - we are not rock climbers, per se. We are scrambling over giant boulders to get to the next cove. And those gloves? They make old, arthritic hands better. And the woman wearing them more confident.
And what the heck does this have to do with art?
Well, I am glad you asked. The right tool can be transformative. Put a rubber wedge in my hands and things I thought I could never do are right there - easy peasy. A rough chopstick makes organic texture like a precise instrument never could. That new primer I mentioned recently? Depth of color right there at my fingertips. If things aren't working despite your many attempts, a different tool (brush, pen, paint, substrate, paper - anything, really!) might just be the tipping point you need.
Well, I am glad you asked. The right tool can be transformative. Put a rubber wedge in my hands and things I thought I could never do are right there - easy peasy. A rough chopstick makes organic texture like a precise instrument never could. That new primer I mentioned recently? Depth of color right there at my fingertips. If things aren't working despite your many attempts, a different tool (brush, pen, paint, substrate, paper - anything, really!) might just be the tipping point you need.
Bouldering in the Samuel H. Boardman Scenic Corridor
About the art: another murder! (yes, it is early for murder season but I cannot resist!) This was a vertical, abstract figure painting in oils. It just didn't move me. So I turned it, grabbed a wide brush, a palette knife and a chopstick and worked quickly and intuitively. I deliberately chose a limited color palette and a "V" composition. Wanting to capture rocks and "rockness" without losting the abstraction, I roughed in large blocks of color. Working wet into wet, fat over lean, aiming for a balance of hard edges and soft, I began adding thicker layers to the shapes and literally carving into the paint with the chopstick. The texture of the underpainting shows beautifully as almost snow-covered map topography. Weeks of drying afterward, then a coat of varnish.
Watch and listen to the blog on YouTube!
Your bonus malarkey!
rock, sharp
rock, unyielding
rock, old as eons
rock, at once
obdurate
and alive.
WOW! Evocative physically textured painting AND evocative physically textured poem! Go back in and sign the poem.
LOVE what you do with a murdered painting! And I so appreciate your discussion about the transformativity of having the right tool. You've given me food for thought, wondering what new right tools I might bring to my writing adventures.
p.s. wait, what? WHERE! How did I miss the goose?
did you find the goose?
p.s. nope! I have GOOSE BLINDNESS! ACK!