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​Rock, Old As Eons
oil on Yupo
​18.75 x 11.5 inches
thick-skinned gloves
like armor
they bend
but do not give

gloved hands grasp
rock, sharp
rock, unyielding
rock, old as eons

I climb
not as a goat
but as a hesitant human
can I? should I?
will I?

probably
​I should not
but I can
and I will.

​ - 
Lola Jovan
It is one month away. Our annual hiking boot-camp on the border of California and Oregon, where we test our mettle against rocks, briars, tides, sand and sun. 

And so my head is filled with memories of what we did the last time, and the time before that - oh, and the others before that. Including the equipment epiphany that was climbing gloves. Don't get me wrong - we are not rock climbers, per se. We are scrambling over giant boulders to get to the next cove. And those gloves? They make old, arthritic hands better. ​ And the woman wearing them more confident.
And what the heck does this have to do with art?

Well, I am glad you asked. The right tool can be transformative. Put a rubber wedge in my hands and things I thought I could never do are right there - easy peasy. A rough chopstick makes organic texture like a precise instrument never could. That new primer I mentioned recently? Depth of color right there at my fingertips. If things aren't working despite your many attempts, a different tool (brush, pen, paint, substrate, paper - anything, really!) might just be the tipping point you need.
Picture

Bouldering in the Samuel H. Boardman Scenic Corridor

About the art: another murder! (yes, it is early for murder season but I cannot resist!)  This was a vertical, abstract figure painting in oils. It just didn't move me. So I turned it, grabbed a wide brush, a palette knife and a chopstick and worked quickly and intuitively. I deliberately chose a limited color palette and a "V" composition. Wanting to capture rocks and "rockness" without losting the abstraction, I roughed in large blocks of color. Working wet into wet, fat over lean, aiming for a balance of hard edges and soft, I began adding thicker layers to the shapes and literally carving into the paint with the chopstick. The texture of the underpainting shows beautifully as almost snow-covered map topography. Weeks of drying afterward, then a coat of varnish.





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6 Comments
Dorothy (Dotty) Seiter - 1 month ago
Lola! I feel as though I'm watching metamorphosis happen right before my eyes in your painting i.e.

rock, sharp
rock, unyielding
rock, old as eons
rock, at once
obdurate
and alive.

WOW! Evocative physically textured painting AND evocative physically textured poem! Go back in and sign the poem.

LOVE what you do with a murdered painting! And I so appreciate your discussion about the transformativity of having the right tool. You've given me food for thought, wondering what new right tools I might bring to my writing adventures.
lola - 1 month ago
oh oh OH DOTTY! Thank you SO much! I signed the poem just as you suggested. :) Thank you for appreciating the words, the art, and the message about tools! I am looking forward to hearing what new tools you may introduce to you creative world. xoxoxo

p.s. wait, what? WHERE! How did I miss the goose?
Dorothy (Dotty) Seiter - 1 month ago
p.s. meant to say i love the canada goose flying in from 700p
Dorothy (Dotty) Seiter - 1 month ago
✅ re signing. always sign your poems : )

did you find the goose?
lola - 1 month ago
Thank you, friend. I will! xo

p.s. nope! I have GOOSE BLINDNESS! ACK!
Carl Stoveland - 1 month ago
I believe there is abstract and then there’s abstract built with care and understanding of art. Yours are the thoughtful kind that ask the viewer to really look and hear their story. I put you work right up there with Rutenberg and Edwige Fouvry. Keep up the great work.

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Lola Jovan

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