About the art: copper panel makes exploration deeply satisfying, and this piece was no exception. Beginning with a rough sketch with an acrylic paint pen directly on the copper, and slowly adding thinned layers of oil paint. Working from that single eye outward and keeping the color palette very limited, I followed the paint as it moved. With my perfectionist's hand tied behind my back, I pursued scratchy, rough emotion with chopsticks, rubber wedge, fingers and dripping brush. Keeping the paint wet allows the copper to be easily exposed by dripping paint and by scratching/carving techniques. This one moves me.
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4 Comments
Dotty Seiter
3/10/2025 06:15:56 am
Lola, first of all, "Seeing and Feeling" pulls. me. right. off. the copper panel! You have painted in such a way as to have me seeing and FEELING, feeling in this case a physical magnetic pull and movement and an inner loss of self-agency. POWERFUL.
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lola
3/10/2025 03:29:40 pm
Dotty!!! I am so moved by your comments...and just delighted that this piece has pulled you in. There is really no greater feeling as an artist than to have a piece impact the viewer that way. Thank you thank you THANK YOU!!!xoxoxo
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Carl Stoveland
3/10/2025 01:16:59 pm
Seeing and feeling it’s an ever evolving relationship. Knowing what to do with the feelings and how they fit into your art is a growth thing. It certainly finds its way in. I think I usually level up in my work shortly after one of those aha moments they go hand in hand.
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lola
3/10/2025 03:31:25 pm
Carl!!! "the master paints the feeling" - perfection! And also a big AHA for me about the circular growth pattern of painting. You are spot on. Thank you for shining a light on this!!! xo
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