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I Used to Howl

2/26/2024

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"I Used to Howl" - oil on unstretched canvas, 23 x 18 inches.  (click on the image to purchase)

I'd love to leave in winter
I used to carry in the weight of a drum
I'd love to leave in winter
The clock keeps ticking and the calm won't come
I'd love to leave in winter
I used to carry in the weight of a drum
(I'd like to howl)
I'd love to leave in winter
(I'd like to howl)
The clock keeps ticking and the calm won't come
 -from PULSE VI by Kerala Dust
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I Used To Howl
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The studio has gone to the dogs.

Winter's chill has crept into our bones, we're craving sun, and every little bit of greenery straining upward for warmth has us hoping spring is just right there.

So there's a bit of growling (and howling and gnashing of teeth) and perhaps a wild look in our eyes.  Is that a speck of saliva by the corner of your mouth?  Oh, it's got you, too, has it?

​About the art:  unstretched canvas likes to gobble the paint, so it's perfect when you want to create something a bit sketchy.  It lends itself to sallow flesh tones and scribbles, paint applied with a rag and burnished to a pale stain.  

Though it appears there are only light washes of paint, there are actually many layers in heavier thicknesses.  And while it is a long process to allow plenty of drying time with this substrate, the resulting effect is scrumptious.

This guy is hungry, by the way. Don't let him near the pie.

Congratulations to Mary C.!  Wonder Mike chose your name as winner of the February Reader Giveaway.  Be on the lookout for package of free art coming your way in the mail.  And thanks hugely for participating!
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We Are All Hard and Soft

2/19/2024

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We Are All Hard And Soft

"We Are All Hard and Soft" - oil on Yupo, 12 x 17.  (click on the image to purchase)


​“The hard things break. The soft things bend. The stubborn ones batter themselves against all that is immovable. The flexible adapt to what is before them. Of course, we are all hard and soft, stubborn and flexible, and so we all break until we learn to bend and are battered until we accept what is before us. ― MARK NEPO, The Book of Awakening

it's an oft repeated theme with Nepo, this ​breaking until we learn to bend.  And with good reason.  Many of us (me! me!) are hard-headed stubborn types.  It takes a lot of repetition for wisdom to get through to the soft insides.  

Perhaps that's what intrigues me about this series of ballgown-bots - they are hard and soft.  Of course, the hard portion is the head.  The thoughts are steadfastly guarded with impenetrable helmets and shatter-proof orbs.  Hard even as the soft whisper of fabric flows around the rest of the body.  Fabric and fashion as a reminder to bend and accept.  Methinks I need a fancy dress. :)
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About the art: at this point, I have hundreds of inspiration images for this series of ballgown-bots.  It becomes easier to see what poses, fabrics, colors and compositions grab my attention - like this one, which I loved immediately.  Beginning with unprimed Yupo, I sketched the rough outline of the figure and painted the first wash of the background first.  Building layers on the figure, then carving into wet paint with a rubber wedge to "draw" the pleats and folds of the fabric.  Rubbing away paint in highlight areas and to expose the now stained Yupo.  More layers to the background to deepen the darks.  After several days of drying time, a thinned layer of white applied with a large rubber wedge in a circular pattern to soften the "poufs" and give weightlessness to the fabric trim.  If only I could wave a paint-laden wedge over my wardrobe...
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The Stranger

2/12/2024

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"The Stranger" - oil on gallery wrapped linen canvas
30 x 30 x 1.5 inches.  Ready to hang.  
(click on the image to purchase)


Well, when I was a young man

My professor at university
Said, "Advice is corrupting
Don't ever be trusting
Don't show your emotion
Human suffering is an ocean
And it's dark at the bottom of the sea
And there's no such thing as a stranger
They're all equally backwards and wrong
Sharpen axes, not wits
Bones are broken by sticks
And you never be free till you're strong
​- from STRANGER by Ben Caplan
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The Stranger
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At some point along the journey in this life, I decided life is a musical.

Everywhere there is a soundtrack, a little skip or dance, dramatic arm gestures and unexpected butterflies and moonbeams and thunderclaps, sorrowful ballads and curtains opened and closed.  Ben Caplan's song feels like the gritty musical theme to a wild rumpus in the studio.

This piece, a paint-over of another large character piece, captures a theme that has also persisted through much of my art life - moons and balloons.  Mystery and whimsy.  Who is this suited stranger?

​Art is autobiographical
it always means something -
something about me

My insides, my demons, my outsides, opinions
things churning
up something to see

But people are not so unique
our patterns repeat and persist
I can see you in there
You can see me in here
 We are all tangled up 
 (and so often banged up)
Resemblance is not to be missed. 
​- LOLA


About the art:  I sketched directly on top of an old painting with a long handled brush and thinned paint.  Beginning by roughing in the figure (working from the center outward to preserve/protect the whites) and then the background.  Using rubber wedge, paper towels, brushes and fingers, keeping loose loose loose.  Some palette knife work on the spacesuit to add texture, then liberal application of oil-thinned paint over the wet background to let it run.  

​Many weeks of drying time on this big painting.  It is a reminder in the studio to always be exploring!

It's time for the FEBRUARY READER CHALLENGE!  Channel your inner composer and lyricist - if your life were a musical, what would it be called?  Extra points if you've got some lyrics to share. :)

The winner will be chosen at random by Wonder Mike at the end of the. month, and will receive a piece of art FREE!  Woot!
6 Comments

Soft Impulses

2/5/2024

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Soft Impulses
"Soft Impulses" - oil on Yupo, 11.5 x 17 inches. (click on the image to purchase)

"...we can go below our hardened ways to the soft impulses that birth them. Instead of breaking the bone of our stubbornness, we can nourish the marrow of our feeling unheard. Instead of breaking the bone of our fear, we can cleanse the blood of our feeling unsafe. Instead of counting the scars from being hurt in the world, we can find and re-kiss the very spot in our soul where we began to withhold our trust.”― MARK NEPO, The Book of Awakening

Murderbot Month has ended, but still I wander in the land of  robots and cyborgs.  Nepo's words take us beneath the hardened exoskeleton of the artificial beings, down to the organic bits of our core.
Do you count the scars life has given?  Or go head to head with your fears?   Or try to break your own stubbornness? (me, me - I raise my hand - look at all these scars!)  I thought it worked - until it didn't.  I recently learned that it isn't enough - nope nope nope.  We've got to go below all of that; deeper, more vulnerable, more risky.  There's something at the core that wants nourishment, cleansing and kisses.  Go past that toughness, beyond the tenacity, leap over the strength and resilience until you land in the thick of it.

The irony is, you have to be tough to go there.  You need to be resilient to find the soft impulses.  Your strength is required to find, face and love what lies below our hardened ways.​  

So grab your backpack, stuff it full of your badassery, and let's go there.
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About the art - sometimes the AI bot surprises you in the inspiration images it creates.  It cannot create a mermaid or a centaur no matter what you tell it, and I've learned to lower my expectations accordingly.  But ask it to make a series of cyborg  madonnas and it will give you endless images of  odd mother-figures and some really, really weird babies.  Ignoring the weird ones, I focused on the images that were both heart-touching and compositionally pleasing in the inspiration for creating this painting.  Beginning with unprimed Yupo, I sketched in the figure shape and added background with oil-thinned paint.  Layers of thinned paint on the bodies.  Burnishing off the wet layers with a soft cloth where I wanted highlights.  The Yupo is lovely this way - it becomes stained but not thickened, allowing a lot of movement and working back into the layers.  As always, resisting the urge to overly define or get fussy.
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
  • Home
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  • BLOG
  • Exhibits
    • The Downside of Lycanthropy
    • A Song for the Hunted
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    • NUDGE - SHOVE
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