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Rest

2/27/2020

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Rest
​"Rest" - mixed media on aquabord panel, 6" x 6".  Available here and at Artfinder.

"To rest is not self indulgent, to rest is to prepare to give the best of ourselves, and to perhaps, most importantly, arrive at a place where we are able to understand what we have already been given." - David Whyte, Consolations: The Solace, Nourishment and Underlying Meaning of Everyday Words

​There were a few days of rest here after a whirlwind couple of weeks.   And that rest included some wonderful play time in the studio.  Because art IS rest and play (well, usually).
I have a weird job.  But the thought of not doing it is weirder. - Brian Rutenberg

Another part of rest this week included hours of mesmerized gazing at Rutenberg's newest book, A Little Long Time. Oh. My. Goodness.  It is a glorious cornucopia of delicious art and the practical wisdom of his Studio Visits series on YouTube.  I am overflowing with inspiration and enthusiasm now, recharged and ready to make magic with the muse!  Woot!
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About the painting: layers of water-soluble ink applied loosely with a brush.  Acrylic paint added to sky and liberally vandalized with bare fingers.  Acrylic added to lower portion and sprayed with water.  A thin line of quinacridone violet added to the horizon with a small brush.
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A Form of Wandering

2/20/2020

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"A Form of Wandering" - mixed media on wood panel,  18.5" x 14".  Available here and at Artfinder.

Things that happen in a collaborative creative household:
  1. spontaneous craft projects involving fabric, ironing boards and string;
  2. post-supper painting sessions which combine the hijinks of olympic-level cat and dog chase games accompanied by cocktails and unexpected visits from the muse, and
  3. late night studying of the paintings of masters with "aha moments" out the wazoo.
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A Form of Wandering
Art is a highly organized form of wandering - Brian Rutenberg, Studio Visits Episode 51 

At first glance, there is very little about the creative process here that seems organized.  But when we look a little closer at the quote...wandering isn't organized at all, is it?   Perhaps the organized part is just that we show up regularly with art supplies and free hands.  And then things happen - like this painting, an atmospheric free-fall using only rubber wedge and paper towels.   The magic in this particular piece was achieved by beginning with an underpainting of gold gesso, which adds a glow to everything and loves to be revealed when paint on top is scraped away.  And the gold is only there because I wandered into it while rifling through paints while waiting for the muse.  Hmmmm. Wandering might just be the key to everything. :)
Thank you to EVERYONE who responded to our Valentine's story, and especially to those who submitted their own heart-felt tales over the last week. :)  Cat, Kitten and Pooch, Inc. were a bit overwhelmed by their choices, and so have decided to select TWO winners!  Congratulations to Cindy J. and to Candis, whose stories of love late in life and early in life, respectively, will each inspire a collaborative piece from us.  Love ALWAYS wins!
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Transformation II

2/17/2020

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Transformation II
"Transformation II" - mixd media on wood panel, 16" x 19".  Available here and at Artfinder..

It seems a wee bit early to be thinking of planting flowers and wearing sandals here in the Pacific Northwest....and yet - blooms are everywhere, songbirds are celebrating and the process of transformation has begun.  No worries, we aren't really in sandals. :) But sunglasses in February here is a rare and wonderful thing.

So it seems to follow that this piece would appear after one hundred thousand layers of paint (a slight, but only a slight, exaggeration).
This weekend, we spent a lot of time with Barbara Rae and her paintings of the Northwest Passage.   Color, texture, collage and shadowy figures.   Her influence on what I see has already begun.  She takes the mood of Ornulf Opdahl  and turns it into a feast of vibrant color and delicious abstraction.

But let's take a minute to dwell in the promise of spring and new beginnings with the wisdom of Irish poet John O'Donohue:

Though your destination is not yet clear
you can trust the promise of this opening;
unfurl yourself into the grace f beginning
that is at one with your life's desire

     _ from "For a New Beginning" from the book To Bless the Space Between Us

Thank you to everyone for all the stories of LOVE in response to last week's Valentine blog post!  Keep 'em coming!  The winner will be drawn Wednesday evening and announced this Thursday.  
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murphy vs the mastodon

2/10/2020

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"Murphy vs the Mastodon" - mixed media on wood panel, 16" x 19"..  Available here and at Artfinder.

There are eleventy-billion reasons to be very grateful for the special people in our lives.  But right now, in the studio, there is this gorgeous pile of hand-cut wood panels just waiting to be painted.  Because my special person happens to also be a woodworker. Holy moly. 

And magic happens on these panels.  Paint glides, textures pop.  I can't stop playing.  Which is what happened this week with this piece - a total playdate with wood panel and paint that became this fantastical world where alien yam men look elephants in the eye.  Which brings to mind Brian Rutenberg ... Shout your nutty ideas to the world - we need more stupid.​

​Well then.
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Murphy vs. the Mastodon
Let's talk about Murphy.  Facing down a mastodon (well, at least that's what I see in this painting).  What on earth could that mean for us this week?  It rattled around in my thoughts until this dropped into my lap:

“A further sign of health is that we don’t become undone by fear and trembling, but we take it as a message that it’s time to stop struggling and look directly at what’s threatening us.”
― Pema Chodron


Oh.  Yep.  Looking directly at things.  Even those things which make us cringe and want to avert our eyes. I did that recently - stared directly at the elephant in the room (or the mastodon in the painting, so to speak) and voila!  A clear understanding of what needed to happen next to lead that pachyderm out the door.  Life imitating art imitating potatoes and behemoths.  It's going to be a good week. :)
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COEUR

2/6/2020

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"Coeur" - mixed media on cradled aquabord, 36" x 24" x 1.25".  Ready to hang.  Available for purchase  here and at Artfinder. Rent this painting at Get the Gallery.

This week in the studio, the large warrior woman from an earlier in-process pic fully emerged and declared herself finished.  And HOLY COW is she a strong force in the studio!  She is all courage - and all heart.
Courage is a heart word. The root of the word courage is cor  [French "coeur"] - the Latin word for heart. In one of its earliest forms, the word courage meant "To speak one's mind by telling all one's heart." Over time, this definition has changed, and today, we typically associate courage with heroic and brave deeds. But ... this definition fails to recognize the inner strength and level of commitment required for us to actually speak honestly and openly about who we are and about our experiences -- good and bad. Speaking from our hearts is what I think of as "ordinary courage.” - BRENE BROWN
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Coeur
Ordinary courage - ​speaking from the heart - isn't so easy.  This week I've been drawn to all kinds of people speaking honestly and openly (brave, vulnerable humans!) and also to the exquisite openness the listener often feels safe to display in response.  Telling our stories from the heart forges a connection unlike any other.  A sweet reward for an act of ordinary bravery.  I'll take more of that. 

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About the painting:

​Beginning with a gesso'd black panel (the multiple failed abstracts underneath lend a heavy texture at the start) and a rough sketch in Uni Posca paint pens.  Successive layers of acrylic and acrylic mixed with gesso, each layer liberally sprayed with water and permitted to run and pool and then dry thoroughly.  Final layers of shading with acrylic paint mixed with matte medium applied with a large, stiff brush and sprayed again.

I am pretty sure I won't get away with any slacking, shenanigans or goofing off under the gaze of this warrior woman in the studio. :)  Oh, ahem, she wants me to go clean off the work table and make things more presentable...yes, ma'am!
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Longing

2/3/2020

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Longing
"Longing" - acrylic on wood panel, 16" x 10".  Available here and at Artfinder.

This week in the studio, a bit of experimentation with the mesmerizing  style of Welsh artist Shani Rhys James, whose gritty and emotional portraits had me awake in the middle of the night envisioning faces in red.  Oh. Wow.

And more time with the grab-me-in-the-guts words of David Whyte:

Longing is nothing without its dangerous edge, that cuts and wounds us while setting us free and beckons us exactly because of the human need to invite the right kind of peril.  

I can stand a little peril of the right kind. :)  Let's read on:

The foundational instinct that we are here essentially to risk ourselves in the world, that we are a form of invitation to others and to otherness, that we are meant to hazard ourselves for the right thing, for the right woman or the right man, for a son or a daughter, for the right work or for a gift given against all the odds.

​Risking ourselves in the world is what artists and makers do.
You, dear readers, are bravely risking yourselves in the world.  Some of you, for a son or a daughter.  Others, for the right partner.  Many of you for the right thing (often that thing is making art or creating whatever your heart is pulling you to bring forth).    Your longing makes you brave, courageous, tenacious and bold.

Whyte says longing is a form of moving...In longing we move and are moving from a known but abstracted elsewhere, to a beautiful, about to be reached, someone, something or somewhere we want to call our own.​   Let's move from abstracted elsewhere to beautiful.  Here - take my hand. We can be brave together.

About the painting - black gesso over a well-grained wood panel. Initial sketch with a chopstick and red paint.  Adding layers of acrylic and acrylic mixed with gesso while resisting (RESIST!  RESIST!) the urge to overly refine.  A layer of deep dark blue over the black gesso'd background to add depth and more contrast and interest.
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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
​


​Art prints available on request
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