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Estelle and Eunice

8/3/2017

4 Comments

 
Picture
"Estelle and Eunice" -  mixed media on reclaimed wood, 16" x 48".  Ready to hang.  Available on Artfinder.

August is upon us.  The weather grows more dramatic, the yard transforms into a steamy jungle.  The pile of dorm supplies in the spare room tells me fall transitions are coming.  A batch of newly hatched ducklings in the yard lures us outside into the sauna.  There is both a hurry up and a slow down happening simultaneously.   I want to dig my heels in.

Still reading Mark Nepo's Seven Thousand Ways to Listen.  I've been reading it off and on for over two years, and still am only halfway through.  It isn't a book you can rush.  Too many intricate thoughts, too many delicious words which demand savoring.  This week, I got stuck here: "I had grown weary from trying to sort out my lot of catastrophes, from trying to make sense of events and turns, from imagining plans and backup plans.  Out of exhaustion, I finally just opened myself to everything; not trying to draw any conclusions but to receive it all the way the mouth of a river receives all the river carries, letting it mark and groove my bottom."

There was sweet relief in these words, after an endless stream of my own plans and backup plans, more planning and endless conjecturing.  Combine this with August heat and slow water in the lake and it just beckons us to float along, letting life shape us.  And so I lift my heels out of their well-worn grooves in the ground and allow myself to drift along this week.  

This piece required a complete letting go of outcomes.  The wood is the most heavily textured and unpredictable of all the reclaimed pieces piled against the wall.  There is a sweet connection between Estelle and Eunice.  I'm going to stop while and see if I can hear their whispers.
​
4 Comments
Carol Edan link
8/3/2017 12:30:18 pm

August...sauna you are quite right!!! Love the scratches of wood? great texture.Love how the negative spaces enhance your figure!!!

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jen
8/3/2017 12:59:03 pm

The wood is super scratchy and rough...so yes, that's the texture. And thank you! Negative space is so critical, right? As always, I really appreciate your feedback! :)

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Dotty Seiter link
8/3/2017 06:30:34 pm

Jen, the background is especially captivating with its texturing—I'm guessing that's from the wood surface itself? Exquisite.

Your compositional use of space delights me! The tall, lean up-and-down of the wood; the dress; the downward-facing-meets-upward-facing eye gaze; and the basketball-player-wannabe bird legs, all of which is offset/balanced by the mass of curls going across the 'canvas.'

And the fabric: so appealing!

Love your writing, your thoughts, your art.

Reply
jen
8/4/2017 08:15:15 am

Dotty! Yes, the texture is the wood itself. Super groovy for the background, quite troublesome for the characters! But somehow it all worked out. :) Thank you so much for your feedback on the composition...it's the thing I so often look back at and wish I'd done differently. I've been more focused on it of late. How to create a world on one flat plane and yet make it feel like your eyes could go on forever outside of it...hmmmmm

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Here's the blue wild, where
tiny dreamers ride beasts, speak
​ birdsong, hold the moon.

(by poet Mary W. Cox)
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  • Home
  • ART
  • BLOG
  • Exhibits
    • The Downside of Lycanthropy
    • A Song for the Hunted
    • The Wild God
    • NUDGE - SHOVE
  • BOOKS